Bachelorarbeit, 2018
39 Seiten, Note: 1.0
1. Introduction
2. Aesthetical Analysis
2.1 Viewer Identification
Emotions and Relationships
Self-Reflection
2.2 (Dramatic) Irony and Humor as Mitigating Devices
Ironic Comments
Ambiguity in Statements
3. Ethical Approaches
3.1 Utilitarianism
3.2 Kantian Ethics
3.3 Dexter Morgan – A (Moral) Person, Just Like Us?
The primary objective of this thesis is to examine whether viewers can morally absolve the protagonist of the crime series Dexter. The study investigates if this absolution is possible through a dual lens: first, by analyzing how aesthetical stylistic devices—such as camera framing and mise-en-scène—manipulate the viewer into identifying with the character, and second, by applying utilitarian and Kantian ethical frameworks to his murderous activities.
Emotions and Relationships
As pointed out above, identification is, inter alia, based on perceived similarities with a fictional character (Maccoby and Wilson 86). Dexter is frequently presented as a person suffering from antisocial personality disorder who lacks the capability of feeling emotions (Epright and Worth 128). However, over the course of the series he begins to show emotions and a sense of attachment to people who are close to him (Houwen 37).
According to the DSM-5 (revised version April 2012), among the criteria for antisocial personality disorder (psychopathy) are “[e]go-centrism”, “self-esteem derived from personal gain, power, or pleasure”, “absence of prosocial internal standards associated with failure to conform to lawful or culturally normative ethical behavior”, a “[l]ack of concern for feelings, needs, or suffering of others”, “lack of remorse after hurting or mistreating another as well as the [i]ncapacity for mutually intimate relationships” (American Psychiatric Association).
Many scenes reveal, however, that Dexter is not a typical psychopath, which might contribute to the viewer’s willingness to side with him, or even identify with and morally absolve him. One example is a selection of scenes that deal with his relationship with his sister Debra.
1. Introduction: This chapter defines the research question regarding the possibility of morally absolving Dexter, providing an overview of current research on anti-hero narratives and the methodology applied.
2. Aesthetical Analysis: This section explores how stylistic devices, framing, and narrative techniques are used to manipulate the viewer into identifying with Dexter despite his nature as a serial killer.
2.1 Viewer Identification: This chapter focuses on how Dexter’s emotional connections, social relations, and self-reflection trigger viewer empathy and identification.
2.2 (Dramatic) Irony and Humor as Mitigating Devices: This section analyzes how the use of dark humor and dramatic irony plays down the severity of Dexter’s actions, making them appear more acceptable to the audience.
3. Ethical Approaches: This chapter evaluates whether Dexter’s actions can be justified through philosophical moral theories.
3.1 Utilitarianism: This chapter examines if Dexter’s murders can be considered morally acceptable by arguing they maximize overall happiness and security.
3.2 Kantian Ethics: This section contrasts utilitarian findings with Kant’s deontological perspective, questioning whether Dexter’s actions can satisfy the requirement of universal laws.
3.3 Dexter Morgan – A (Moral) Person, Just Like Us?: The final chapter synthesizes the aesthetic and ethical findings, concluding that while a full moral absolution is problematic, viewers often perceive him as "good" within the context of the series.
Dexter Morgan, Antihero, Viewer Identification, Utilitarianism, Kantian Ethics, Deontology, Moral Disengagement, Dramatic Irony, Poetic Justice, Serial Killer, Narrative Perspective, Aesthetic-Culinary, Moral Absolution, Stylistic Devices, Criminal Psychology.
The thesis explores how and why audiences are able to sympathize with and morally justify the actions of a serial killer protagonist in the TV series Dexter.
The central themes include the psychological mechanisms of viewer identification, the role of aesthetic techniques in shaping audience attitude, and the application of moral philosophy to fictional violence.
The research asks if it is possible to morally absolve Dexter from both utilitarian and Kantian ethical perspectives, and whether aesthetical aspects reinforce this viewer attitude.
The author uses a qualitative analysis of selected scenes, integrating media studies, film analysis (framing, mise-en-scène), and moral philosophy (Bentham, Mill, Kant).
The main body examines the "Aesthetical Analysis" of stylistic devices like camera angles and lighting, followed by an "Ethical Approach" that evaluates Dexter’s behavior through utilitarian and deontological frameworks.
Key terms include antihero narratives, viewer identification, moral disengagement, utilitarianism, Kantian ethics, and dramatic irony.
The Code is analyzed as a system of rules that provides Dexter with a semblance of duty and rational decision-making, which the author attempts to reconcile with Kantian criteria for moral action.
The thesis argues that viewers may set aside real-world moral standards in favor of "poetic justice," where the satisfaction of seeing antagonists punished creates a sense of closure and aesthetic enjoyment.
Der GRIN Verlag hat sich seit 1998 auf die Veröffentlichung akademischer eBooks und Bücher spezialisiert. Der GRIN Verlag steht damit als erstes Unternehmen für User Generated Quality Content. Die Verlagsseiten GRIN.com, Hausarbeiten.de und Diplomarbeiten24 bieten für Hochschullehrer, Absolventen und Studenten die ideale Plattform, wissenschaftliche Texte wie Hausarbeiten, Referate, Bachelorarbeiten, Masterarbeiten, Diplomarbeiten, Dissertationen und wissenschaftliche Aufsätze einem breiten Publikum zu präsentieren.
Kostenfreie Veröffentlichung: Hausarbeit, Bachelorarbeit, Diplomarbeit, Dissertation, Masterarbeit, Interpretation oder Referat jetzt veröffentlichen!

