Bachelorarbeit, 2007
32 Seiten, Note: 6.0 (CH)
This paper aims to examine the methods Virginia Woolf employs in creating characters within her novel, Mrs. Dalloway. It analyzes how Woolf utilizes various techniques to achieve depth and complexity in her character portrayals.
Introduction: This introduction establishes the central argument: that Virginia Woolf's masterful characterization is a key element in the enduring appeal of Mrs. Dalloway. It draws on Abbott's assertion that narrative is essential for self-understanding, emphasizing the crucial role of characters in this process. The introduction then outlines three fundamental methods of characterization from The Handbook of Literature, setting the stage for a detailed exploration of Woolf's unique approach in the subsequent sections. The paper promises to investigate how Woolf utilizes stream-of-consciousness, free indirect discourse, memory, perception, perspective, and foil characters to craft her compelling characters.
1. Stream-of-consciousness: This chapter delves into the complexities of Woolf's use of stream-of-consciousness, acknowledging the ongoing debate among critics about its precise application in Mrs. Dalloway. The chapter cites various critical opinions ranging from a complete denial of its use to affirmations of its presence, but with variations in its form. This leads to a definition of stream-of-consciousness from the Oxford Companion to Literature, clarifying the technique as a representation of unspoken thoughts, impressions, and emotions. It distinguishes between free-indirect-discourse (FID) and interior monologue as two techniques for rendering stream-of-consciousness, highlighting Woolf’s preference for FID. The chapter concludes by introducing Woolf's own words on her writing process, explaining her aim to create a sense of depth and connection between characters by employing FID.
Virginia Woolf, Mrs. Dalloway, stream-of-consciousness, free indirect discourse (FID), characterization, perception, perspective, memory, foil characters, narrative technique, literary analysis.
This paper analyzes Virginia Woolf's characterization techniques in her novel, Mrs. Dalloway. It examines how Woolf uses various methods to create depth and complexity in her characters.
The analysis explores stream-of-consciousness, free indirect discourse (FID), characterization through perception and perspective, the role of memory in shaping characters, and the use of foil characters.
The analysis acknowledges the ongoing debate surrounding the use of stream-of-consciousness in Mrs. Dalloway, offering different critical perspectives. It defines stream-of-consciousness and distinguishes it from interior monologue, emphasizing Woolf's preference for FID.
The analysis highlights FID as a crucial technique for revealing characters' inner lives and perspectives, allowing Woolf to create a sense of depth and connection between them.
The analysis examines how characters' individual experiences shape their understanding of their environment, specifically using London as a case study. It explores how perception and perspective contribute to character development.
The analysis investigates the role of memory in shaping characters and their relationships, showing how past experiences influence their present actions and interactions.
The analysis discusses how foil characters highlight contrasting characteristics and perspectives, enhancing the understanding of the main characters.
The analysis is structured with an introduction, chapters on stream-of-consciousness, the role of foil characters, a section on Clarissa and Septimus, and a conclusion. It also includes a table of contents, objectives and key themes, and chapter summaries.
The analysis demonstrates Virginia Woolf's masterful use of various narrative techniques to create compelling and complex characters in Mrs. Dalloway. It emphasizes the importance of stream-of-consciousness, FID, perception, perspective, memory, and foil characters in achieving this.
Virginia Woolf, Mrs. Dalloway, stream-of-consciousness, free indirect discourse (FID), characterization, perception, perspective, memory, foil characters, narrative technique, literary analysis.
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