Magisterarbeit, 2008
98 Seiten, Note: 1,0
Introduction: Resisting and Loathing Modernity
1. Southern Literary Tradition
1.2. Historical, Cultural, and Literary Roots
1.2.1. Historical Roots
1.2.2. Cultural Roots
1.2.3. Literary Roots
2. Southern Avoidance of Progress and Modernity
2.1. Form: Novel and Short Story
2.2. Motifs, Themes, and Symbols
2.2.1. Humor
2.2.2. Despair and Brutalization
2.2.3. Place
2.2.4. Nature
2.2.5. Man and Beast
3. Cultural and Literary Identity
Conclusion: “The Grave in the House”
The thesis aims to analyze how Southern literature persistently rejects modernity and progress, instead cultivating an identity deeply rooted in the historical, cultural, and literary heritage of the American South. The central research question examines why Southern authors continue to recycle traditional motifs, themes, and forms to perpetuate a distinct, albeit melancholic, regional identity in the face of modern development.
2.2.1. Humor
The love of humor displayed, the ability to “find what is comic in the midst of tragic” (McCorkle XI) is a form of keeping moving forward, of survival (see ibid. XI). Humor as a means of making the despairing bearable is a very important means in Southern literature that mostly engages in grave subjects and matters. This is not an accidental connection. Humor serves parallel as a lighter vehicle for the heavy load, as self-depreciating and reflection, and as means that adds another perspective to a certain situation or personality.
This can be witnessed in John Dufresne’s story Johnny Too Bad, where the unusual, borderline disordered relationship between a man and his dog is humorously described to emphasize his lack of communication with his environment, a basically tragic situation. In Roy Blount’s Gone off up North: Hot Pig! Hot Possum: Is Animal-Tossing an Art or a Crime? he ironically turns the stereotypes of the South and its uneducated backwardness around to ridicule the holder of such stereotypes.
In parody, in the exposition of the weaknesses of others, there is also a concealed aggression. Barry Hannah uses humor, parody and the Gothic grotesque, as a “lawless, subversive attack” using sexism, racism, and homophobia, to expose the holder of exact those stereotypes (see Weston 106). The seeming antagonists humor and despair go hand in hand in Southern literature, and humor sometimes is the light that illuminates the harsh and brutalizing reality even brighter. As the comic grotesque humor it is an essential part of the Gothic tradition (see ibid. 20), used with irony by Faulkner to emphasize his view on the deterioration of society’s values (see Karl 195).
Introduction: Resisting and Loathing Modernity: The introduction establishes the thesis that Southern literature is intrinsically tied to a past that refuses to fade, characterized by a rejection of modernity and a persistent melancholic longing.
1. Southern Literary Tradition: This chapter reviews the historical, cultural, and literary foundations that define Southern identity and the region's literary output.
1.2. Historical, Cultural, and Literary Roots: This section explores how the Civil War and the Reconstruction Era created a unique sense of Southern distinctiveness that continues to shape regional literature.
1.2.1. Historical Roots: Focuses on the lasting impact of the Civil War, Reconstruction, and the mythologized "Lost Cause" on the Southern collective memory.
1.2.2. Cultural Roots: Examines how Southern culture and identity are constructed and perpetuated through stereotypes and a persistent sense of regional isolation.
1.2.3. Literary Roots: Discusses the subgenre of Southern Gothic and its adaptation of traditional Gothic elements to address the specific anxieties and traumas of the American South.
2. Southern Avoidance of Progress and Modernity: This chapter argues that Southern writers consciously reject modernist themes to preserve a traditional, mythologized way of life.
2.1. Form: Novel and Short Story: Investigates why Southern authors prefer traditional narrative forms over modernist experimentation, emphasizing the importance of storytelling and oral tradition.
2.2. Motifs, Themes, and Symbols: Analyzes the recurring symbolic devices Southern authors use to define their reality and resist modern change.
2.2.1. Humor: Explains how humor is employed as a coping mechanism and a tool of subversion in the face of tragedy and social decay.
2.2.2. Despair and Brutalization: Examines the prevalence of violence and misery in Southern literature as reflections of an inescapable, predetermined fate.
2.2.3. Place: Discusses the significance of the Southern home place and its role in shaping identity and fostering a sense of belonging.
2.2.4. Nature: Looks at how nature is portrayed as an indifferent or threatening force that reinforces the isolation of the Southern individual.
2.2.5. Man and Beast: Explores the symbolic relationship between humans and animals, highlighting how this bond often replaces broken or impossible human connections.
3. Cultural and Literary Identity: This chapter synthesizes the previous discussions to define the unique Southern literary identity that emerges from this deep-seated resistance to modernity.
Conclusion: “The Grave in the House”: The conclusion summarizes the main findings, reiterating that the South's obsession with its past remains an essential, though double-edged, component of its cultural and literary uniqueness.
Southern Literature, Modernity, Southern Gothic, History, Identity, Reconstruction, William Faulkner, Tradition, Despair, Melancholy, Myth, Southern Agrarians, Narrative, Symbolism, Isolation.
This work explores the tendency of Southern literature and culture to resist modernization, focusing on how a deep-seated attachment to history and the past shapes regional identity.
The study examines themes such as the legacy of the Civil War, the rejection of Northern-style progress, the role of Southern Gothic traditions, and the use of myths and symbols to maintain a distinct cultural identity.
The primary goal is to investigate why Southern authors remain fixated on traditional themes and forms, refusing to adopt modern or modernist agendas, and to demonstrate how this fixation shapes their work.
The work employs a literary and cultural analysis, combining historical context with close readings of novels and short stories from authors ranging from the Southern Renaissance to contemporary writers.
The main body investigates specific literary roots, formal preferences like the short story, and recurring motifs such as humor, place, nature, and the bond between man and animal.
Key terms include Southern Literature, Modernity, Southern Gothic, History, Identity, and the mythologized past.
The author argues that the Civil War and its aftermath created a permanent scar and a lingering feeling of loss, which Southerners have mythologized into a central pillar of their identity and artistic expression.
Violence and decay are presented as reflections of an inescapable fate and a broken society, serving as a means for authors to express the frustrations of characters trapped within rigid, traditional structures.
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