Bachelorarbeit, 2017
69 Seiten
This work aims to analyze selected songs of Segun Akinlolu (Beautiful Nubia) and Folarin Falana (Falz) through a Marxist lens. The study seeks to understand how these musicians utilize their music to address social and political issues in contemporary Nigeria.
Chapter One introduces the study and outlines its research objectives, methodology, and theoretical framework. It provides background information on the selected artists, Segun Akinlolu (Beautiful Nubia) and Folarin Falana (Falz).
Chapter Two delves into the Marxist theoretical framework. It explores the core principles of Marx's thought, including his critique of capitalism, the materialist conception of history, and the concept of ideology. The chapter also examines the relevance of Marxism to the sociological school of thought and its application to the study of music.
Chapter Three focuses on a thematic evaluation of the selected songs by Beautiful Nubia and Falz. It examines the musical styles of both artists and analyzes key themes emerging from their works, such as government corruption, inequality, and the struggle for social justice.
Key terms and concepts explored in this study include Marxist theory, music analysis, Nigerian music, social commentary, political discourse, capitalism, inequality, government corruption, social justice, and the role of music in social change.
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