Bachelorarbeit, 2017
35 Seiten, Note: 2,0
This paper examines the saleability of punk subculture in Hanif Kureishi's novel The Buddha of Suburbia, set in London during the late 1970s. The research aims to analyze how the novel portrays punk's transition from a radical subculture to a mainstream trend, exploring the tension between punk's anti-consumerist ideology and its ultimate commodification.
The introduction sets the stage by introducing the novel's setting and the central theme of punk's commodification. It highlights the contrast between punk's anti-consumerist ideology and its eventual embrace by mainstream culture.
Chapter 2 delves into the terminology surrounding punk, discussing the often interchangeable terms "subculture" and "counterculture." The chapter explores the challenges in defining "subculture" and provides a working definition for the purposes of the paper.
Chapter 3 examines the emergence and evolution of London punk. It explores the historical context of the movement, including its relationship to hippie culture, and analyzes the factors contributing to punk's rapid demise in the late 1970s.
Chapter 4 focuses on the depiction of punk in Kureishi's novel, analyzing the characters of Charlie Hero and Karim Amir. This chapter examines how the novel portrays the tension between punk's anti-consumerist ideals and its eventual commercialization.
The key terms and focus topics of this paper include punk subculture, counterculture, consumerism, commodification, identity, performance, colonialism, and cultural trends. The research examines the evolution of punk from a radical movement to a mainstream trend, analyzing the factors contributing to its commodification in the context of Hanif Kureishi's The Buddha of Suburbia.
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