Masterarbeit, 2020
58 Seiten, Note: 1,3
1. Introduction
2. State of Research
2.1. Defining Literacy
2.2. Multimodal Literacy
2.3. The Concept of Multiliteracies
2.4. Multimodal Literature
2.4.1. Comics
2.4.2. Graphic Novels
3. Teaching Multimodal Literature in the EFL Classroom
3.1. Teaching Literature
3.2. Challenges of Teaching Multimodal Literature
3.3. Multimodal Literature in the EFL Classroom
4. Teaching Multimodal Literature
4.1. Choosing Multimodal Literature
4.2. Approaching Multimodal Literature
4.3. Shaun Tan’s The Arrival
4.4. Gene Luen Yang’s American Born Chinese
4.5. Frank Cottrell Boyce’s The Unforgotten Coat
5. Conclusion
The primary aim of this thesis is to demonstrate the necessity and the pedagogical potential of implementing multimodal literature into the English as a foreign language (EFL) classroom to foster multimodal literacies in modern students.
4.3. Shaun Tan’s The Arrival
The Arrival tells the story of a family father who leaves his wife and young daughter to seek a better life for them. Having embarked on a long journey across the ocean, he is just one of many other travelers who finally arrives in the new and foreign land. At the beginning everything looks strange and unfamiliar to him. He struggles with the foreign language, currency, the unfamiliar city with its unknown architecture and the transportation system. He tries the food, which he is unaccustomed to, is curious about the objects in his apartment and is unfamiliar with the cultural habits. Despite the obstacles, he manages to create a life for himself in this new world. Nevertheless, his lack of knowledge about the new land and language makes his situation particularly complicated.
1. Introduction: Presents the relevance of multimodality in a globalized, crisis-driven world and defines the scope of using multimodal literature in the EFL classroom.
2. State of Research: Defines core concepts like literacy and multimodal literacy while exploring the pedagogical framework of multiliteracies established by the New London Group.
3. Teaching Multimodal Literature in the EFL Classroom: Examines the broader context of teaching literature and addresses the specific challenges and benefits of integrating multimodal texts into standard curricula.
4. Teaching Multimodal Literature: Focuses on the selection and practical application of three specific multimodal novels to foster literacies through various teaching methods.
5. Conclusion: Summarizes the findings, reinforcing that multimodal literature serves as a powerful, authentic tool to extend the traditional curriculum and support active student development.
Multimodality, Multimodal Literature, Multiliteracies, EFL Classroom, Graphic Novels, Comics, Literacy, Meaning-Making, Migration, Identity, Pedagogy, Visual Literacy, Critical Thinking, Student Motivation, Semiotics.
The thesis explores the integration of multimodal literature into English as a foreign language (EFL) instruction, arguing that traditional text-based teaching is insufficient in a technologically multimodal world.
The work covers themes such as cultural diversity, migration, identity, and the shift from traditional reading practices to the decoding of complex multimodal sign systems.
The primary goal is to demonstrate that a pedagogy based on multiliteracies—integrating visual, verbal, and other semiotic modes—can significantly enhance learning outcomes and student motivation.
The thesis employs a theoretical examination of literacy and multiliteracies combined with a practical analysis of how specific literary works can be scaffolded in the classroom.
The main body moves from theoretical frameworks (literacy definitions) to practical instructional analysis of three specific books: The Arrival, American Born Chinese, and The Unforgotten Coat.
The keywords revolve around the intersection of modern pedagogy, digital-age literacy, and specific literary genres that leverage non-verbal semiotic resources.
As a silent graphic novel, it removes language barriers, allowing learners of all levels to focus on interpreting symbols, sequences, and narrative meaning without immediate lexical pressure.
The author uses this novel to demonstrate how to address stereotypes and personal identity, using its three narrative strands to discuss ethnic prejudices and assimilation in a globalized context.
It acts as a bridge between traditional and multimodal literature, utilizing an unreliable narrator and embedded "photographic" evidence to teach critical media literacy.
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