Bachelorarbeit, 2019
49 Seiten, Note: 1,0
This thesis examines the uses of literature and fiction, particularly focusing on how they contribute to understanding human identity formation. It investigates the psychological functions of narrative and explores how our minds and psyches are unfolded through fiction. Ultimately, it aims to uncover what these processes reveal about the human condition.
The first chapter introduces the concept of "humans and fiction," exploring the universal human tendency to tell stories and create narratives. It argues that storytelling serves as an attempt to find meaning and orientation in the world and plays a crucial role in identity formation. The second chapter examines Arnold Gehlen's philosophical anthropology, emphasizing the concept of "Mängelwesen" (deficient being) and its implications for understanding human culture and civilization. Gehlen's theory suggests that humans, lacking instinctive adaptations, rely on imagination, symbols, and culture to make sense of their existence and orient themselves towards the future. The third chapter analyzes Wolfgang Iser's ideas on literature as a medium and mirror of human self-unfolding, highlighting the aesthetic possibilities of fiction in exploring human needs and desires. This chapter lays the groundwork for the subsequent analysis of James Joyce's "A Portrait of the Artist as a Young Man" in the following chapter.
This thesis focuses on the intersection of literary anthropology, narrative theory, and literary analysis. Key terms and concepts include "Mängelwesen," imagination, symbolism, self-reflection, identity construction, narrative function, and the aesthetics of fiction. The analysis draws heavily on the works of Arnold Gehlen and Wolfgang Iser, while examining James Joyce's "A Portrait of the Artist as a Young Man" as a case study. This work delves into the themes of self-determination, artistic development, and the impact of cultural and societal influences on individual identity.
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