Masterarbeit, 2019
110 Seiten, Note: 1,4
Medien / Kommunikation - Public Relations, Werbung, Marketing, Social Media
1. Introduction
1.1 Problem Statement
1.2 Research Purpose
1.3 Course of Investigation
2. Literature Review
2.1 Key Success Factors (KSF)
2.1.1 Key Success Factors Research
2.1.2 Systemization of Key Success Factors
2.1.3 Identification & Measurement of KSF
2.2 Media Usage of Generation Z
2.2.1 Definition of Media
2.2.2 Uses & Gratification Theory
2.2.3 Understanding Generation Z
2.2.4 Media Usage Behavior of Generation Z
2.2.5 Key Success Factors in Media
2.3 Subscription Models in the Media Industry
2.3.1 Subscription Video On Demand (SVOD)
2.3.2 Best Practices
2.4 Theoretical Consolidation of KSF
3. Case Study Mtv+
3.1 Analysis of Key Success Factors
3.1.1 Marketing
3.1.2 Content
3.1.3 Functionality
3.1.4 Sociability & Price
3.1.5 KSF of MTV+
4. Empirical Research
4.1 Research Method
4.2 Questionnaire Design
4.3 Data Collection & Sampling
4.4 Data Analysis
4.5 Research Findings
4.5.1 Sociodemographics
4.5.2 SVOD Usage Behavior
4.5.3 SVOD Usage Preferences
4.5.4 Attractiveness of MTV+
5. Recommendations For Mtv+
6. Conclusion
6.1 Answer to Research Questions
6.2 General Conclusion
6.3 Limitations & Future Outlook
This thesis identifies and analyzes the Key Success Factors (KSF) of Subscription Video on Demand (SVOD) services specifically tailored to attract Generation Z, using the case study of MTV+ to examine usage behavior and preferences.
2.2.3 Understanding Generation Z
The categorization of indivuduals based on common opinions, actions, behaviors and traits and shaped by one’s generation rather than by age is the major assumption of the generational theory. The common view for the classifications of generations can be divided into four generations (Scholz, 2014, p. 33):
• Baby Boom (1950-1964)
• Generation X (1965-1979)
• Generation Y (1980-1994)
• Generation Z (1995 -...)
Growing up with computers and innovational breakthroughs, technology and Internet has strongly influenced the consumer behavior of Gen Z (Özkan, 2017, p. 151). Gen Z was born from 1995, that means people aged 24 and younger by the year 2019 (Scholz, 2014, p. 33). This cohort is comprised of today’s young adults, teenagers and pre-teens (Villa & Dorsey, 2017, p. 4). According to a survey by Statistisches Bundesamt, approximately 9.4 million of German citizens were between 14 - 24 years old by the end of 2017 (Statistisches Bundesamt, 2017). Gen Z is the first generation to have grown up with Internet. Without a surprise, the Internet is also one of their favourite media activities. A study by the Medienpädagogische Forschungsverband Südwest (mpfs) investigated the preferred media activities of Gen Z in their leisure time. Their favourite activity is the usage of Internet (91%), followed by smartphone (94%), music (84%) and online-videos (65%) (Feierabend, Rathgeb, & Reutter, 2018, p. 13).
1. Introduction: Outlines the problem statement, research purpose regarding Generation Z's SVOD usage, and the structure of the thesis.
2. Literature Review: Provides the theoretical foundation, covering KSF research, Gen Z media usage, and current subscription models in the media industry.
3. Case Study Mtv+: Applies the developed KSF framework to the MTV+ streaming offer through an analysis of marketing, content, and usability.
4. Empirical Research: Describes the methodology, design of the online questionnaire, data collection, and analysis of Gen Z's streaming preferences.
5. Recommendations For Mtv+: Develops strategic recommendations for MTV+ based on the research findings to effectively target specific segments within Gen Z.
6. Conclusion: Summarizes the key research findings, answers the central research questions, and discusses study limitations and future research directions.
Generation Z, SVOD, Key Success Factors, MTV+, Media Usage, Uses and Gratification Theory, Streaming, Consumer Behavior, Subscription Models, Digital Marketing, Content Strategy, User Experience, Platform Analysis, Targeted Audience, Customer Value
The research focuses on identifying and analyzing the Key Success Factors of SVOD services aimed at attracting Generation Z members in Germany.
The study focuses on Generation Z, defined as individuals born from 1995 onwards, specifically those aged 14 to 24 in Germany.
The goal is to determine which streaming attributes and strategies are perceived as valuable by Generation Z to inform the design of the MTV+ service.
A quantitative approach was used, utilizing an online questionnaire to gather numerical data on SVOD usage behaviors, preferences, and perceptions.
The review covers KSF theory, Uses and Gratification Theory (UGT), generation theory, and current best practices in the subscription video industry.
The keywords highlight the intersection of digital media theory, specific platform branding (MTV+), and the unique consumption patterns of the youngest adult cohort.
MTV+ is integrated as an Amazon Channel, meaning it is highly dependent on Amazon's infrastructure for user experience, billing, and distribution, which presents both advantages and limitations.
The empirical research showed that while many Gen Z members are heavy streamers, only a specific subset displayed genuine interest in the specific content profile offered by MTV+.
The research concluded that current SVOD platforms do not adequately address the desire for social interaction, as Gen Z members rated social features as having low impact on their perceived customer value.
Recommendations include diversifying content away from pure Reality TV toward music-related programming and potentially exploring standalone service models to avoid the "Prime membership" barrier.
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