Bachelorarbeit, 2008
42 Seiten, Note: 1,3
This paper examines the depiction of addiction in film, focusing on Darren Aronofsky's Requiem for a Dream. It aims to challenge conventional understandings of addiction by exploring the film's portrayal of both material and immaterial forms of addiction, blurring the boundaries of established definitions. The paper analyzes how film contributes to the creation and perpetuation of myths and stereotypes surrounding addiction, particularly within Western culture.
The Preface introduces the complexities of addiction and the paper's focus on its cinematic representations. The Intoxicated Screen chapter discusses the ambivalent role of film in reflecting and shaping societal perceptions of addiction, highlighting the creation of myths and stereotypes. It analyzes how films have historically depicted addiction, often associating it with violence, social dysfunction, and specific demographic groups. The chapter also mentions the ambiguity of the term "drugs" and its implications. The chapter on Deranging the Models of Addiction: Requiem for a Dream will delve into Aronofsky's film, exploring its depiction of addiction and its impact on the established cultural understanding of the subject. This section will be further broken down into sub-chapters that will delve into the specifics of the film's themes.
Addiction, film, Requiem for a Dream, cultural studies, societal perceptions, cinematic representation, material and immaterial addiction, myths and stereotypes, modern society, drug culture.
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