Masterarbeit, 2018
135 Seiten, Note: 1.50
1. INTRODUCTION
2. OBJECTIVES OF THE STUDY
3. REVIEW OF LITERATURE
4. METHODS
4.1 Research Design
4.2 Subject of the Study
4.3 Materials Analyzed
4.4 Procedure
4.5 Ethical Considerations
5. DISCUSSION
5.1 Religious Symbolism Traced
5.1.1 Animism
5.1.2 Nirvana
5.1.3 Divination
5.1.4 Hope
5.1.5 Spiritual Freedom
5.2 Parallel Depiction of Characters
5.2.1 Piousness
5.2.2 Fundamentalism
5.2.3 Reincarnation
5.2.4 Negative Theology
5.2.5 Pantheism
5.2.6 Discipleship
5.2.7 Redeemer
5.3 Proposed Teaching Guide
6. CONCLUSION
7. RECOMMENDATIONS
8. REFERENCES
9. APPENDICES
This study aims to identify and analyze the explicit and subtle religious symbolisms present in selected works of fiction, tracing common religious themes to establish clusters of thought, and utilizing an analytical approach to equate these symbolisms with parallel character depictions in the chosen literary works. Based on these findings, the study seeks to propose a teaching guide that leverages these insights for English Language Studies (ELS) and future academic research into the relevance of religious symbolism in contemporary literature.
Animism
Animism is a religious belief that all material objects in the known universe contain a soul. That includes all manner of living beings such as animals and plants, and also of inanimate objects like stones and water and sometimes even phenomenon are known to be vessels of spiritual energies. This philosophy encourages the believer to pay respect to the cosmic order, expressed through the presence of corporeal objects, which set reality in balance. The following line lifted in the third act is an exemplary description of how this concept is used:
“You have to appease them,” her grandmother said. “You have to apologize or you will die, and not even the saints can save you.”
Salamanca is a story about two people fighting for their love amidst a deeply superstitious rural town and a sprawling urban city. Thus the central theme of this novel is the “old faith versus the new faith.” This is quickly made apparent through the description of the two primary settings of the piece; Tagbaroan and Manila. The former used the animistic symbolism much more frequently while the latter has very little in the way of spiritual representations. In a way it illuminates the symbolism of Tagbaoran as the primary aspect of sacred imagery in the novel’s entirety.
INTRODUCTION: Outlines the scope of the study regarding religious symbolism in literature and its role as an artistic expression of spirituality and social consciousness.
OBJECTIVES OF THE STUDY: Defines the specific goals, including identifying religious themes, establishing parallel character depictions, and creating a teaching framework.
REVIEW OF LITERATURE: Examines scholarly perspectives on the relationship between mythology, religious doctrines, and their enduring influence on narrative fiction.
METHODS: Describes the use of qualitative content analysis and hermeneutics to interpret symbolic portrayals in the selected literary texts.
DISCUSSION: Provides a comprehensive analysis of specific religious symbols like Animism and Nirvana, alongside an evaluation of character archetypes such as Piousness and the Redeemer.
CONCLUSION: Synthesizes the findings, confirming the prevalence of religious symbolism across the selected texts and validating the effectiveness of the proposed teaching guide.
RECOMMENDATIONS: Suggests further academic integration of the subject into English Language Studies curricula and future research on profound portrayals of religiosity.
Religious Symbolism, Literature, Fiction, Archetypes, Spirituality, Animism, Nirvana, Divination, Fundamentalism, Reincarnation, Pantheism, Discipleship, Redeemer, Content Analysis, Thematic Elements.
This research focuses on the identification and analysis of religious symbolism in selected works of contemporary literature and how these symbols function as artistic philosophical tools.
The study explores several themes including Animism, Nirvana, Divination, Hope, Spiritual Freedom, Piousness, Fundamentalism, Reincarnation, Negative Theology, Pantheism, Discipleship, and the concept of the Redeemer.
The goal is to determine how religious symbols emerge within narrative structures and to establish parallel depictions of these symbols among characters, ultimately creating a practical teaching guide for literature.
The study employs qualitative research using content analysis and hermeneutics to interpret religious imagery and its underlying cultural or spiritual significance.
The main body provides an in-depth analysis of "Religious Symbolism Traced" and "Parallel Depiction of Characters," followed by the presentation of a "Proposed Teaching Guide" based on these analytical findings.
The keywords are centered on literary analysis, religious iconography, and pedagogical applications, capturing the essence of the study's interdisciplinary bridge between religion and fiction.
It is explored primarily through the novel Salamanca, where the settings of Tagbaroan and Manila serve as symbolic representations of traditional animistic belief systems versus modern, secular skepticism.
The broken lock serves as a potent symbol of liberation, representing the protagonist's release from his trapped, insectile existence and his journey toward a form of Nirvana or spiritual release.
The heptapods are presented as examples of "Negative Theology," where their incomprehensible existence and communication serve as symbolic representations of an idea that can only be understood by defining what it is not.
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