Masterarbeit, 2019
56 Seiten, Note: 2,7
This thesis will analyze the technical and contextual elements that Quentin Tarantino uses to create violent movies with a distinct, personal touch. The focus will be on two main elements: humor and an abundant amount of violence. The thesis will argue that Tarantino accomplishes this feat seemingly effortlessly, potentially intending to criticize the use of violence and advocate for a life free of crime.
Chapter 1 provides an introduction to the topic, discussing Tarantino’s cinematic style and the role of violence and humor in his work. Chapter 2 examines the concept of violence in film, tracing its historical evolution and analyzing its various forms and representations.
Chapter 3 explores the concept of humor in film, emphasizing the concept of incongruence and its role in creating comedic effects. Chapter 4 delves into the specific analysis of two scenes, one from Pulp Fiction and the other from Inglourious Basterds, examining the interplay of violence and humor, the use of excess, and the moral implications of these scenes.
This thesis focuses on the following key topics: cinematic violence, humor, incongruence, excessive violence, Quentin Tarantino, Pulp Fiction, Inglourious Basterds, American film, moral implications, stylistic devices.
Tarantino often uses "incongruence" – a mismatch between what the viewer expects and what happens – to create a dark, comedic effect amidst graphic violence.
The 1994 film uses violence often accompanied by trivial dialogue, which serves to alienate the audience from the brutality and highlights the criminal lifestyle's absurdity.
In this 2009 film, Tarantino shifts to a historical context (WWII), where violence is used more as a tool for revenge and moral justice, though still retaining his signature excessive style.
The thesis argues that his stylized representation of brutality could be interpreted as an elaborate plan to criticize violence by showing its chaotic and crime-ridden consequences.
Key devices include non-linear storytelling, long takes of dialogue followed by sudden outbursts of action, and the use of excess in blood and sound effects.
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