Masterarbeit, 2009
125 Seiten, Note: B (ECTS), 8 out of 10
Introduction
Master Thesis Outline
Chapter One
1.1 Dutch cultural memory in St. Petersburg and reception of European cultural traditions in St. Petersburg
1.2 History of Dutch art collecting tradition in the Hermitage
1.3 Dutch art collecting practices in the 20th century
Conclusion
Chapter Two
2.1 Development of the museum phenomenon as a forum of knowledge
2.2 Overview of the cultural policies in post-Soviet Russia
2.3. Overview of the cultural policies in the Netherlands
2.4 Dutch – Russian mutual cultural projects
Conclusion
Chapter Three
3.1 Cross-cultural transfers and new types of collection exchange
3.2 The “Hermitage Amsterdam” Exhibition Centre
3.3 The Guggenheim Museum Bilbao
Conclusion
Chapter Four
4.1 Mission and modern concepts of art museums in the 21st century
4.2 Museum network as a possible model of museums development in the 21st century: the “Bilbao effect”
4.3 The Hermitage Museum in the 21st century and the motives for the restoration of the Rijksmuseum Amsterdam
4.4 Digitalization of art collections in the context of globalization and hybrid cultural expressions
Conclusion
The primary objective of this thesis is to examine the emergence of museum "satellites" or outposts as a potential future model for museum development in the 21st century. It investigates how large art institutions, such as the Hermitage and the Guggenheim, facilitate cultural exchange, strengthen international bonds, and address the challenges of globalization through the expansion of their networks. The research aims to answer whether the establishment of these international branches serves as a viable, sustainable framework for modern museum management and cultural diplomacy.
1.1. Dutch cultural memory in St. Petersburg and reception of European cultural traditions in St. Petersburg
The beginning of the 21st century has witnessed a great interest by Russian people in reconsidering their rich cultural traditions and in rediscovering their cultural heritage. The isolation of national history during the Soviet epoch showed that the country’s history cannot be regarded without in-depth consideration of the cultural channels circulating between Western and Central Europe and Russia. “Cultural expansion” of the Russian art and the country’s exposure to the world in 1991 after the final collapse of the Soviet Union has witnessed a great number of cross-cultural exchanges and has contributed to a considerable improvement in scholarly exchanges. In their turn, Western specialists, who had devoted their work to other fields than Russian history, began to show an interest to Russia as they realized its importance for European history.
First of all, it seems necessary to define the term “cultural memory” in order to begin the discussion. According to Jan Assmann, “cultural memory is characterized by its distance from the everyday […] (transcendence). Cultural memory has its fixed point; its horizon does not change with the passing of time. These fixed points are fateful events of the past, whose memory is maintained through cultural formation (texts, rites, monuments) and institutional communication (recitation, practice, observance)”. In turn, most historians understand “collective memories” as “collectively shared representations of the past”. “Collective memories originate from shared communications about the meaning of the past that are anchored in the life-worlds of individual who partake in the communal life of the respective collective. Wulf Kansteiner marks: “As such, collective memories are based in a society and its inventory of signs and symbols”. Memory seems to reside not in perceiving consciousness but “in the material”: in the practices and institutions of social and psychic life, which function within us, but, strangely, do not seem to require either our participation or our explicit allegiance”.
Chapter One: This chapter examines the historical significance of Dutch cultural memory and the adoption of European traditions in St. Petersburg, particularly through the collecting efforts of the Romanovs and private patrons.
Chapter Two: This chapter provides an overview of museum policies in post-Soviet Russia and the Netherlands, highlighting historical differences and the development of mutual cultural projects.
Chapter Three: This chapter analyzes the trend of cross-cultural transfers through "satellite" museum models, using the Hermitage Amsterdam and the Guggenheim Bilbao as primary case studies.
Chapter Four: This chapter explores modern concepts of art museums, the role of museum networks, and the impact of digitalization and globalization on the evolution of museum strategies in the 21st century.
Museum studies, cultural policy, art mobility, Hermitage Museum, Guggenheim Museum, cultural heritage, cross-cultural dialogue, museum networks, globalization, cultural patronage, St. Petersburg, Amsterdam, Bilbao, collection exchange, digital museum
The thesis explores the phenomenon of international museum expansion, specifically examining whether the creation of "satellite" museum branches abroad represents a sustainable future model for museum development.
The research primarily utilizes the Hermitage Amsterdam and the Guggenheim Museum Bilbao to demonstrate different paradigms of museum networking and international collaboration.
The research seeks to answer: "Can the creation of museum ‘satellites’ abroad be seen as the future model of museums’ development?"
The study relies on qualitative research, including literature analysis of primary and secondary sources, as well as semi-structured expert interviews with museum officials and curators.
The work covers the evolution of museum concepts, the historical context of Dutch-Russian cultural relations, modern cultural policies in Russia and the Netherlands, and the impact of globalization on art institutions.
Key terms include museum studies, art mobility, cultural policy, satellite museums, cross-cultural dialogue, and globalization.
The "Bilbao effect" refers to the transformative impact of the Guggenheim Museum Bilbao on urban regeneration, which has inspired other cities to use iconic museum architecture to boost their local economies and international reputation.
The Hermitage initiated international outposts partly to address the need for additional revenue for building maintenance, to increase public accessibility to its vast collections, and to foster broader cultural and scientific cooperation.
Der GRIN Verlag hat sich seit 1998 auf die Veröffentlichung akademischer eBooks und Bücher spezialisiert. Der GRIN Verlag steht damit als erstes Unternehmen für User Generated Quality Content. Die Verlagsseiten GRIN.com, Hausarbeiten.de und Diplomarbeiten24 bieten für Hochschullehrer, Absolventen und Studenten die ideale Plattform, wissenschaftliche Texte wie Hausarbeiten, Referate, Bachelorarbeiten, Masterarbeiten, Diplomarbeiten, Dissertationen und wissenschaftliche Aufsätze einem breiten Publikum zu präsentieren.
Kostenfreie Veröffentlichung: Hausarbeit, Bachelorarbeit, Diplomarbeit, Dissertation, Masterarbeit, Interpretation oder Referat jetzt veröffentlichen!

