Examensarbeit, 2022
69 Seiten, Note: 1,5
1 Introduction
2 Literature Review
2.1 Cringe Comedy
2.1.1 Controversial topics and violating social norms
2.1.2 Physical distancing from embarrassment
2.1.3 Empathy and relief
2.2 Masculinities
2.2.1 Toxic masculinity
3 Men in Media
4 The research method
4.1 The text: Peep Show
4.2 Text type
4.3 Research circumstances
4.4 Expectations
5 Analysis
5.1 Filming techniques
5.1.1 Camera: Point-of-view
5.1.2 Language: Interior Monologues
5.1.3 Narrative Strategy
5.2 Complex Characters: This is my chance to be a proper human being
5.3 Love life
5.3.1 Power struggles
5.3.2 Relationship Roles
5.3.3 Mismatched Duos
5.3.4 Hunt for love
5.3.5 Cringy sex
5.4 Homophobia: I’ve always been a bit gay
5.5 Breaking a taboo: It wasn't rape, alright?
5.6 Male violence: He’s a violent teddy bear
6 Conclusion
7 References
This thesis examines the role of cringe comedy in British television, specifically focusing on how the sitcom Peep Show utilizes this subgenre to uncover, construct, and critique characteristics of toxic masculinity. By adopting a cultural studies perspective, the research investigates the intersection between humorous discomfort and traditional gender roles.
5.1.2 Language: Interior Monologues
Apart from Peep Show’s POV shots, the use of interior monologues through a voice-over is another characterising feature of the show. Alongside POV filming, the interior monologues demonstrate how individuals are their own observers, constantly trying to analyse and judge their own behaviours and mannerisms. Through the voice-over the characters function as the narrators of their own lives, able to question and critique their behaviour.
“Often, sitcom relies on the disparity between characters’ knowledge and audiences’ knowledge for its comic effect, and audiences can laugh securely in their superior position” (Mills 62-3). Because the audience can hear Mark and Jeremy’s thoughts, superiority and therefore humour does not work entirely that way in this text. The audience stands in a different relation to the characters and their actions since they have more knowledge than other characters. The distance between the characters and audience disappears and they are not dissociated from their embarrassing actions and thoughts. Humour now derives from the cringe aspect that this lack of distance entails, as shall examined in more detail during this analysis.
1 Introduction: Introduces the sitcom Peep Show as a primary example of cringe comedy and outlines the thesis goal of exploring how it critiques toxic masculinity within British society.
2 Literature Review: Provides the theoretical grounding by defining cringe comedy, embarrassment, and toxic masculinity, utilizing psychological and sociological frameworks.
3 Men in Media: Analyzes the depiction of male characters in sitcoms and the cultural expectations of masculinity that often dictate these representations.
4 The research method: Details the content analysis approach applied to the series and specifically the episode "Jeremy’s Mummy," noting the sampling and narrative focus.
5 Analysis: The core chapter dissects the filming techniques, character complexity, dysfunctional relationships, and sensitive topics like homophobia, sexual assault, and violence as depicted in the show.
6 Conclusion: Synthesizes the findings, confirming that while Peep Show effectively uses cringe to expose social issues, it simultaneously operates within a thin line of potentially reinforcing traditional gender stereotypes.
7 References: A comprehensive list of cited episodes and academic works.
Cringe comedy, Toxic masculinity, Peep Show, British television, Hegemonic masculinity, Sitcom, Social norms, Gender stereotypes, Humor studies, Embarrassment, Shame, Male rape, Masculinity in crisis, Cultural studies, Point-of-view
The thesis explores how the contemporary British sitcom Peep Show employs cringe comedy as a strategic tool to analyze, uncover, and critique characteristics of toxic masculinity.
The work covers cultural studies, gender studies, and media studies, specifically looking at humor theories, social norms, the construction of masculinity, and the depiction of sensitive issues like sexual violence in media.
The study asks how a cringe comedy sitcom uses its specific style and narrative devices to effectively address and challenge societal ideologies concerning gender and toxic masculinity.
The author performs a thorough content analysis of the entire Peep Show series, complemented by a detailed "close reading" analysis of the specific episode "Jeremy's Mummy."
The analysis investigates the show's unique filming techniques (POV/voice-over), the construction of "complex characters," and how these elements facilitate the exploration of power struggles, failures in relationships, and critical taboo topics.
The work is characterized by terms such as cringe comedy, toxic masculinity, hegemonic masculinity, embarrassment, shame, and the "outsider status" of characters within social structures.
The author uses the rape incident in this episode to argue that Peep Show subverts the typical male-as-oppressor narrative by placing a male character in a victim position, thereby forcing the audience to confront issues regarding male trauma and failures in the justice system.
The author concludes that while the show is successful in sparking debate and breaking taboos, it walks a fine line and occasionally risks reinforcing the very stereotypes it aims to dismantle due to the absence of "culturally necessary" resolutions to its characters' conflicts.
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