Examensarbeit, 2009
47 Seiten, Note: 1,5
1. Introduction
2. Consumerism and Violence in Society Today
2.1 Consumerism comes into Existence
2.2 The Origin of Aggression and Violence
2.3 Connecting Consumerism and Violence
3. A Look at the Authors
3.1 Bret Easton Ellis
3.1.1 Parallels between Ellis’s Life and “American Psycho”
3.2 Chuck Palahniuk
4. Bret Easton Ellis’s American Psycho
4.1 April Fools
4.2 Beauty is only Skin-Deep
4.3 Patrick Bateman – When Consumerism goes Wrong
4.4 Investigating the Violence in American Psycho
4.4.1 Increasing Violence and the Differences between Male and Female Victims
5. Chuck Palahniuk’s Fight Club
5.1. The Narrator – Trapped in his Lovely Nest
5.2 Tyler Durden – A Way Out
5.3 “I’m Not Tyler Durden”
6. Conclusion
This thesis examines the core principles of modern consumer culture and its detrimental connection to aggression and violence, as portrayed in Bret Easton Ellis’s American Psycho and Chuck Palahniuk’s Fight Club. It explores how the protagonists, trapped in unfulfilled consumerist lives, turn to violent acts as a desperate means of finding satisfaction and escaping their daily routines.
Patrick Bateman – When Consumerism goes Wrong
The violence in American Psycho can be linked in multiple ways to Patrick’s obsessive consumerism. After viciously torturing Al, the bum, in the chapter “Tuesday” he says: “I feel heady, ravenous, pumped up as if I’d just worked out and endorphins are flooding my nervous system, or just embraced that first line of cocaine, inhaled the first puff of a fine cigar, sipped that first glass of Cristal.” Obviously, the experience has not only left him feeling strong and “pumped up”, but also longing for more. Both of these feelings dictate the remaining course of the novel.
In the chapter “Girls”, Patrick is sexually aroused when he prepares to torture two prostitutes he has just had sex with:
A half hour later, I’m hard again. I stand up and walk over to the armoire, where, next to the nail gun, rests a sharpened coat hanger, a rusty butter knife, matches from the Gotham Bar and Grill and a half-smoked cigar; and turning around, naked, my erection is jutting out in front of me, I hold these items out and explain in a hoarse whisper, “We’re not through yet....” An hour later I will impatiently lead them to the door, both of them dressed and sobbing, bleeding but well paid.
Tomorrow Sabrina will have a limp. Christie will probably have a terrible black eye and deep scratches across her buttocks caused by the coat hanger. Bloodstained Kleenex will lie crumpled by the side of the bed along with an empty carton of Italian seasoning salt I picked up at Dean & Deluca.
1. Introduction: The thesis introduces the cultural relevance of examining violence in contemporary literature, focusing on its connection to consumerism in American Psycho and Fight Club.
2. Consumerism and Violence in Society Today: This chapter establishes a sociological framework, linking post-war consumerism to psychological theories on aggression and the media's role in promoting violent imagery.
3. A Look at the Authors: The work explores biographical connections between the lives of Bret Easton Ellis and Chuck Palahniuk and the dark, satirical narratives of their respective novels.
4. Bret Easton Ellis’s American Psycho: The analysis investigates how Patrick Bateman’s obsession with status, appearance, and material goods fuels his violent outbursts and results in the dehumanization of others.
5. Chuck Palahniuk’s Fight Club: This chapter examines the narrator's struggle against a hollow consumerist life and the destructive liberation he finds through his alter ego, Tyler Durden, and the formation of Project Mayhem.
6. Conclusion: The study synthesizes the findings, concluding that both novels serve as satires of consumer obsession and warn against the spiritual emptiness that leads protagonists to destructive, violent extremes.
Consumerism, Violence, Aggression, American Psycho, Fight Club, Bret Easton Ellis, Chuck Palahniuk, Identity, Materialism, Dehumanization, Satire, Capitalism, Alienation, Reification, Project Mayhem.
The work explores the link between consumer culture and the manifestation of violence in the lives of the protagonists from American Psycho and Fight Club.
Key areas include the impact of mass media, the loss of individual identity in consumer societies, sociological theories of aggression, and the role of material goods as empty status symbols.
The objective is to demonstrate how these contemporary novels function as critiques of society, where an unfulfilled consumerist life leads characters to view violence as a necessary escape.
The thesis utilizes a comparative literary analysis supported by sociological and psychological theories of aggression to interpret the behavior of the main characters.
The analysis covers the authors’ backgrounds, the sociological origins of their narratives, the role of material objects, the development of violent psychologies, and the eventual impact of these characters’ choices.
Core keywords include Consumerism, Violence, Identity, Dehumanization, Alienation, and Social Satire.
Bateman’s violence transitions from an attempt to assert his own significance and uniqueness to a state where his brutal murders become just another aspect of his consumerist routine, rendering his victims as mere objects.
Project Mayhem represents an extreme reaction against the emptiness of modern civilization, where the followers seek to dismantle the social order they feel has robbed them of their primal masculine identity.
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