Examensarbeit, 2009
47 Seiten, Note: 1,5
This thesis examines the relationship between consumer culture and violence, focusing on how these themes are presented in Bret Easton Ellis's American Psycho and Chuck Palahniuk's Fight Club. It explores the protagonists' dissatisfaction despite material success, leading them to violence as an escape. The study analyzes the sociological context of consumerism and violence, and investigates biographical parallels between the authors and their characters.
Introduction: This chapter introduces the thesis, arguing that art reflects society, and focusing on how American Psycho and Fight Club examine violence and societal frustrations stemming from consumerism. It establishes the central argument that both protagonists, despite material wealth, find themselves unfulfilled and turn to violence for a sense of satisfaction. The chapter provides brief overviews of both novels and their respective protagonists.
Consumerism and Violence in Society Today: This chapter delves into the sociological context of consumerism and violence. It explores the rise of consumerism after World War II and presents various theories explaining the origins of aggression and violence, ultimately connecting these two societal phenomena. This lays the theoretical groundwork for the subsequent analysis of the novels.
A Look at the Authors: This chapter focuses on the biographical aspects of Bret Easton Ellis and Chuck Palahniuk, exploring potential connections between their lives and the themes presented in their respective novels. It provides background information essential for interpreting the thematic content and narrative choices within American Psycho and Fight Club.
Bret Easton Ellis's American Psycho: This chapter provides an in-depth analysis of American Psycho. It begins with a detailed examination of the first chapter, "April Fools," and then explores Patrick Bateman's obsession with material possessions and its connection to his violent acts. The chapter explains the reasons behind the novel's graphic violence and the differences in the treatment of male and female victims. The analysis highlights Bateman's inability to differentiate between material objects and human beings, illustrating his emotional sterility and the emptiness that fuels his violence.
Chuck Palahniuk's Fight Club: This chapter analyzes Fight Club, exploring the impact of consumer society on the unnamed narrator's life. It introduces Tyler Durden and examines the function of violence within the narrative. The chapter culminates in a discussion of the narrator's struggle to escape Tyler's influence and find fulfillment outside of Fight Club and Project Mayhem. The analysis focuses on the narrator's alienation and search for identity within a consumer-driven society that has left him feeling empty and unfulfilled.
Consumerism, violence, aggression, Bret Easton Ellis, Chuck Palahniuk, American Psycho, Fight Club, identity, alienation, materialism, societal critique, post-modernism, masculinity.
This thesis examines the relationship between consumer culture and violence, focusing on how these themes are presented in Bret Easton Ellis's American Psycho and Chuck Palahniuk's Fight Club. It explores the protagonists' dissatisfaction despite material success, leading them to violence as an escape. The study analyzes the sociological context of consumerism and violence, and investigates biographical parallels between the authors and their characters.
Key themes include the connection between consumerism and violence in contemporary society; the portrayal of consumer culture and its impact on the protagonists; the use of violence as an escape from the emptiness of consumerist lifestyles; biographical parallels between authors and protagonists; and the exploration of identity and alienation within a consumerist society.
The thesis analyzes Bret Easton Ellis's American Psycho and Chuck Palahniuk's Fight Club, examining how these novels portray the themes of consumerism and violence.
The thesis is structured as follows: Introduction; Consumerism and Violence in Society Today; A Look at the Authors; Bret Easton Ellis's American Psycho; Chuck Palahniuk's Fight Club; and a conclusion summarizing the key findings.
This chapter explores the sociological context of consumerism and violence. It examines the rise of consumerism after World War II and presents theories explaining the origins of aggression and violence, connecting these two societal phenomena to provide a theoretical framework for analyzing the novels.
This chapter focuses on the biographical aspects of Ellis and Palahniuk, exploring potential connections between their lives and the themes in their novels. It provides background information for interpreting the thematic content and narrative choices in American Psycho and Fight Club.
The analysis of American Psycho begins with a detailed examination of the first chapter, "April Fools," and explores Patrick Bateman's obsession with material possessions and its connection to his violent acts. It explains the reasons behind the novel's graphic violence and the differences in the treatment of male and female victims, highlighting Bateman's emotional sterility and the emptiness fueling his violence.
The analysis of Fight Club explores the impact of consumer society on the unnamed narrator's life. It introduces Tyler Durden and examines the function of violence in the narrative. The chapter discusses the narrator's struggle to escape Tyler's influence and find fulfillment outside of Fight Club and Project Mayhem, focusing on his alienation and search for identity within a consumer-driven society.
Keywords include: Consumerism, violence, aggression, Bret Easton Ellis, Chuck Palahniuk, American Psycho, Fight Club, identity, alienation, materialism, societal critique, post-modernism, masculinity.
The central argument is that both American Psycho and Fight Club portray protagonists who, despite material wealth, feel unfulfilled and turn to violence for a sense of satisfaction, reflecting societal frustrations stemming from consumerism. The novels are presented as reflections of the societal connection between consumerism and violence.
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