Bachelorarbeit, 2007
51 Seiten, Note: 2,0
1. Introduction
2. Victorian Society
2.1. Industrialisation
2.2. Women and Feminism in England in the 18th and 19th Century
3. George Bernard Shaw
3.1. Parallels between his Biography and Pygmalion in Respect to Women
3.2. Shaw’s Philosophy Concerning Gender Roles and its Impact on Pygmalion
4. Feminist Realisation in Pygmalion
4.1. Eliza’s Inner Change
4.2. The Relation between Higgins and Eliza
4.3. Mrs. Higgins and Mrs. Pearce
4.4. Higgins’ Development
4.5. The Theme of Prostitution and Slavery
4.6. The Importance of Clara Eynsford-Hill
5. My Fair Lady
5.1. The Development from the Play to the Musical-Film
5.2. The Role of Women in the 1950’s and 1960’s
5.3. The Audience of My Fair Lady
5.4. Differences between the Musical and Pygmalion
5.4.1. Intention
5.4.2. Genre Changes
5.4.3. The Theme of Love and Cinderella
5.4.4. Eliza’s Development in My Fair Lady
5.4.5. Higgins’ Character in My Fair Lady
6. Conclusion
This thesis examines how changing ideas about women and gender roles are represented in George Bernard Shaw’s Pygmalion and its musical adaptation My Fair Lady. It asks how the two works relate to their respective social contexts, comparing their portrayals of Eliza, Higgins and the relationship between them.
4.2. The Relation between Higgins and Eliza
In contrast to mythology, where Pygmalion’s wish of the statue’s metamorphosis into a human being is realized by Venus, in Shaw’s Pygmalion Eliza’s change emanates from herself. It is her inner force that lets her personality mature and gives her independence from her creator Higgins (Andrecht 32).
On the outer level, namely, the constrictions and conditionalities of the capitalist social order would not have allowed her to live in the way she wants to. It was Shaw’s intention to point out these constrictions as they are responsible for the bondages of individuals.
For those reasons Eliza’s metamorphosis is conditioned on the one hand on her strong character and on the other hand on the milieu she lives in (Dinter 139).
It is important to realize that the environment is essential for the coining of a character, but not exclusively. Many times it is an interplay between character and environment. With Eliza’s new surroundings not only her speech and speech contents change, but also her behaviour. These character traits like for example intelligence, ready wit and her natural sense of shame were latently present all the time. Only now they can break through because they do not become suppressed by the daily fought for survival anymore (Dinter 139).
Behind this fact a very important aspect of feminist theory lies quiet. It is social restrictions that hinder women from becoming their selves. They can only develop and make use of their character traits that are in stock if they get the chance and freedom to do so.
However, it is not only the maturing process that counts, because the woman is still bound to social restrictions. This is also the problem in Pygmalion. Eliza learns how to speak and dress properly, how to make small-talk and how to behave in certain circles. On the one hand she learns something and climbs the social ladder. On the other hand she completely loses and forgets her old speech and manners, which hinders her from going back to her old life: “…Well, I am a child in our country. I have forgotten my own language, and can speak nothing but yours. That’s the real break-off with the corner of Tottenham Court Road. …” (Shaw, Pygmalion 238).
Here she realizes that she does not fit anymore into her old world. She has changed and forgotten her old language, which makes it impossible to return to the life as a flower girl. Still though, she has learned a new language and with it there are other possibilities for her.
1. Introduction: The thesis introduces the Pygmalion myth and outlines its comparison of Shaw’s play and My Fair Lady through changing gender roles.
2. Victorian Society: This chapter discusses industrialisation, class differences and the development of feminism in England.
3. George Bernard Shaw: The author explores possible parallels between Shaw’s life and Pygmalion and examines his views on women and gender roles.
4. Feminist Realisation in Pygmalion: The analysis considers Eliza’s development, her relationship with Higgins and the roles of other characters. It also examines economic dependency and the themes of prostitution and slavery.
5. My Fair Lady: This chapter traces the adaptation’s development and places it in the context of postwar gender roles and audience expectations. It compares the play and musical in their intentions, genre, characters and use of romance.
6. Conclusion: The thesis brings together its comparison of the two works and reflects on gender roles, audience preferences and women’s freedom to choose their lives.
George Bernard Shaw, Pygmalion, My Fair Lady, gender roles, feminism, Eliza Doolittle, Henry Higgins, Victorian society, women’s independence, musical adaptation, Cinderella motif, social class, postwar society
It compares representations of gender roles in Shaw’s Pygmalion and My Fair Lady in relation to their social contexts.
Its themes include feminism, women’s independence, class, relationships between women and men, and the adaptation of a play into a musical.
The thesis asks how changing ideas about women are reflected in the two versions of the Pygmalion story.
The author uses comparative literary and contextual analysis, examining the play and musical-film alongside historical background and published scholarship.
It examines Shaw’s ideas and characters, particularly Eliza and Higgins, before comparing their presentation in My Fair Lady with that of the play.
Key terms include gender roles, feminism, Pygmalion, My Fair Lady, social class and women’s independence.
It introduces Ovid’s version of the sculptor’s story and uses the motif of a created woman to frame its discussion of Shaw’s play.
It compares the use and transformation of Cinderella motifs in Pygmalion and My Fair Lady, including the ball and the significance of footwear.
The author discusses songs from My Fair Lady as part of the musical’s characterisation and treatment of relationships. Complete song texts are included in the appendix.
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