Bachelorarbeit, 2007
51 Seiten, Note: 2,0
This thesis aims to examine the evolving portrayal of women in Victorian society and the 1950s, analyzing how these societal changes are reflected in George Bernard Shaw's Pygmalion and the musical adaptation, My Fair Lady. The comparison of these two works across different time periods highlights the shifting perceptions of gender roles and women's emancipation.
1. Introduction: This chapter introduces the Pygmalion myth and its enduring appeal across various artistic interpretations, from Ovid's Metamorphoses to Shaw's play and the musical My Fair Lady. It highlights the play's diverse themes, including love, social criticism, and character transformation, and emphasizes its broad appeal across Victorian society. The chapter establishes the core argument: the evolution of the female character from a passive figure in the myth to a more active and emancipated woman in Shaw's work, reflecting the changing societal attitudes toward women.
2. Victorian Society: This section provides crucial background information on Victorian England, focusing on the impact of industrialization and urbanization on society and the stark class divisions of the era. It examines the complex relationship between Queen Victoria's reign and the burgeoning feminist movement, highlighting the contradictory forces of tradition and progress. The chapter emphasizes the limitations and expectations placed upon women, establishing the societal context for understanding the representation of women in Pygmalion.
3. George Bernard Shaw: This chapter delves into the life and philosophy of George Bernard Shaw, exploring potential parallels between his personal experiences and the themes presented in Pygmalion. It analyzes Shaw's views on gender roles and how these views shaped his writing, specifically his depiction of women and their social standing. The chapter aims to establish a connection between Shaw's personal beliefs and his portrayal of female characters in the play.
4. Feminist Realisation in Pygmalion: This chapter analyzes Pygmalion through a feminist lens, examining the individual character arcs and their significance. It explores Eliza's transformation, her relationship with Higgins, and the roles of supporting female characters like Mrs. Higgins and Mrs. Pearce. Themes of prostitution and social class are examined, providing a detailed look at how the play engages with contemporary feminist ideas and the complexities of female agency in Victorian society. The significance of Clara Eynsford-Hill's character as a contrasting figure is also analyzed.
5. My Fair Lady: This chapter examines the adaptation of Pygmalion into the musical My Fair Lady, exploring the changes made during this transformation and the implications of those changes for the portrayal of women. The chapter considers the societal context of the 1950s and its influence on the musical's reception, contrasting it with the Victorian era setting of Pygmalion. The differing intentions, genre conventions, and thematic emphases between the play and the musical are explored, examining how Eliza and Higgins' characters evolve in the new adaptation.
Victorian society, gender roles, feminism, Pygmalion, My Fair Lady, George Bernard Shaw, Eliza Doolittle, Henry Higgins, social class, transformation, adaptation, female agency, emancipation.
This document provides a comprehensive preview of a language analysis focusing on the portrayal of women in George Bernard Shaw's Pygmalion and its musical adaptation, My Fair Lady. It examines how these portrayals reflect societal changes in Victorian England and the mid-20th century.
The document covers a range of topics, including Victorian society and its impact on women, George Bernard Shaw's life and philosophy, feminist interpretations of Pygmalion, a detailed analysis of character development in both Pygmalion and My Fair Lady, a comparison of the two works, and the societal context of their respective productions.
The document is structured into several sections: a table of contents, objectives and key themes, chapter summaries, and keywords. Each chapter summary provides an overview of its content, allowing readers to quickly understand the scope of the analysis.
Key themes include the role of women in Victorian society and the mid-20th century, gender roles, feminism, social class, character transformation, adaptation (of Pygmalion into My Fair Lady), female agency, and emancipation.
The analysis compares the two works by examining how the portrayal of women changes across different time periods and contexts. It explores the differences in intention, genre, and thematic emphasis between the play and the musical, noting specific changes in the characters of Eliza Doolittle and Henry Higgins.
The analysis emphasizes the importance of understanding Victorian society to fully grasp the context of Pygmalion. It explores the social constraints and expectations placed on women during this period, which heavily influence Eliza Doolittle's character and experiences.
The analysis examines Shaw's personal views on gender roles and how these views shaped his creation of Pygmalion. It explores potential parallels between his life and the themes presented in the play.
The analysis uses a feminist lens to interpret Pygmalion, examining the character development of Eliza Doolittle and other female characters, and analyzing the play's engagement with themes of female agency and emancipation.
The analysis highlights the differences in Eliza's development and agency in both Pygmalion and My Fair Lady, considering the influence of the changing societal norms and the different artistic mediums.
The analysis focuses on the character development of Eliza Doolittle and Henry Higgins, along with supporting female characters such as Mrs. Higgins and Mrs. Pearce. The role of Clara Eynsford-Hill is also examined.
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