Bachelorarbeit, 2009
29 Seiten, Note: 1,3
This paper aims to analyze how postcolonial identities are constructed in Patrick Neate's novel City of Tiny Lights through the lens of the three main characters, Farzad, Gundappa, and Tommy. The novel explores the complex interplay of cultural and historical experiences, particularly in the context of Ugandan-Indian-Pakistani diasporic communities in Britain.
The introduction sets the stage for the exploration of identity in the context of postcolonial migration. It highlights the significant presence of individuals of non-white origin in the UK, particularly those of Asian descent, and the need to understand their experiences.
Chapter 2 focuses on Farzad, examining his diasporic identity as a "contrary geezer" and exploring his complex relationship with his heritage, including Uganda's role in his life. The chapter delves into Farzad's use of imagination and his attempts to return to his deceased wife through alcohol and painting.
Chapter 3 introduces Gundappa, who grapples with identity issues stemming from the death of his mother. This chapter analyzes his self-perception and his eventual abandonment of his real identity, leading him to create various new identities.
Chapter 4 delves into the main protagonist, Tommy, starting with his time as a terrorist and his distant relationship with his past as a soldier of the Mujahideen. The chapter examines how these experiences influence his present life and how he ultimately regains and accepts his identity. It explores Tommy's experience of "living in-between" and how he accepts the multitude of cultures that shape his identity.
Postcolonial identity, diaspora, migration, cultural hybridity, "living in-between", mimicry, imagination, memory, language, belonging, difference, Ugandan-Indian-Pakistani heritage.
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