Kannada Cinema. Social Concern and Democratic Thoughts in Upendra's Films

Inhaltsverzeichnis (Table of Contents)

• CHAPTER-1: Introduction
• CHAPTER -2: Upendra and Prajakeeya : An Overview
• CHAPTER -3: Significance of the Film Titles
• CHAPTER -4: Brief Introduction of the Films and Analysis
• CHAPTER-5: Conclusion

Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)

This dissertation aims to analyze the portrayal of social concern and democratic thoughts in the films of Upendra, a prominent figure in Kannada cinema. The study examines how Upendra's unique narrative techniques and thematic choices reflect the struggles, aspirations, and societal impact experienced by ordinary individuals. It explores Upendra's engagement with his audience and his willingness to address controversial social issues.

• Upendra's cinematic representation of the "common man."
• The use of unconventional narrative techniques and thought-provoking dialogues.
• The portrayal of social issues and Upendra's social commentary.
• The significance of film titles in conveying Upendra's message.
• The impact of Upendra's work on Kannada cinema and society.

Zusammenfassung der Kapitel (Chapter Summaries)

CHAPTER-1: Introduction: This introductory chapter establishes the significance of cinema as both a form of entertainment and a powerful medium for disseminating cultural values and shaping public opinion. It introduces Upendra as a multifaceted figure in Kannada cinema, known for his unconventional narratives and focus on societal issues. The chapter highlights the recurring theme of "Social Concern and Democratic Thoughts" in Upendra's films and their resonance with the experiences of ordinary individuals.

CHAPTER -2: Upendra and Prajakeeya : An Overview: This chapter provides a detailed overview of Upendra's career and his contributions to Kannada cinema. It will likely delve into his unique filmmaking style, his choice of subjects, and the recurring themes that appear throughout his filmography. The chapter might also explore the establishment of his political party, the Uttam Prajakeeya Party (UPP), and how his cinematic work relates to his political aspirations.

CHAPTER -3: Significance of the Film Titles: This chapter would analyze the titles of Upendra's films, examining how they relate to the overall themes and messages of each film. It would likely explore the ways in which the titles themselves contribute to the narrative and invite audience interpretation. The chapter might also consider the use of symbolism or other rhetorical devices employed in the titles.

CHAPTER -4: Brief Introduction of the Films and Analysis: This chapter provides a film-by-film analysis of selected Upendra movies. Each film's plot, characters, and key themes will be discussed in detail, showing how they reflect the overarching themes of social concern and democratic thoughts. The analysis would likely connect individual films to the larger context of Upendra's career and his overall artistic vision.

Schlüsselwörter (Keywords)

Kannada cinema, Upendra, social concern, democratic thoughts, common man, unconventional narratives, societal issues, social commentary, film analysis, political engagement, narrative techniques, cultural values, mass communication.

Frequently Asked Questions: Analysis of Social Concern and Democratic Thoughts in Upendra's Films

What is the main topic of this dissertation preview?

This preview summarizes a dissertation analyzing the portrayal of social concern and democratic thoughts in the films of Upendra, a prominent Kannada cinema figure. It examines how his narrative techniques and themes reflect societal struggles, aspirations, and impacts, and how he engages with his audience on controversial issues.

What are the key themes explored in Upendra's films according to this preview?

Key themes include Upendra's cinematic representation of the "common man," his use of unconventional narrative techniques and thought-provoking dialogues, his portrayal of social issues and social commentary, the significance of his film titles, and the impact of his work on Kannada cinema and society.

What does the dissertation preview include?

The preview provides a table of contents, objectives and key themes, chapter summaries, and keywords. It offers a comprehensive overview of the dissertation's structure and content.

What is covered in Chapter 1?

Chapter 1 introduces the significance of cinema as a cultural and opinion-shaping medium. It introduces Upendra and his focus on societal issues, highlighting the recurring theme of "Social Concern and Democratic Thoughts" in his films.

What is covered in Chapter 2?

Chapter 2 provides an overview of Upendra's career in Kannada cinema, his filmmaking style, subject choices, recurring themes, and the potential relationship between his cinematic work and his political aspirations (establishment of the Uttam Prajakeeya Party).

What is covered in Chapter 3?

Chapter 3 analyzes the titles of Upendra's films, examining their relationship to the overall themes and messages, their contribution to the narrative, and the use of symbolism or rhetorical devices.

What is covered in Chapter 4?

Chapter 4 offers a film-by-film analysis of selected Upendra movies, detailing their plots, characters, key themes, and connections to his overall artistic vision and career.

What are the keywords associated with this dissertation?

Keywords include Kannada cinema, Upendra, social concern, democratic thoughts, common man, unconventional narratives, societal issues, social commentary, film analysis, political engagement, narrative techniques, cultural values, and mass communication.

What is the overall goal of the dissertation?

The dissertation aims to analyze how Upendra's films portray social concern and democratic thoughts, reflecting the experiences of ordinary individuals and his engagement with societal issues.

Who is Upendra?

Upendra is a prominent figure in Kannada cinema known for his unconventional narratives and focus on societal issues.