Bachelorarbeit, 2023
49 Seiten, Note: 2,0
1. Introduction
2. The Rhetoric on Reproductive Rights
2.1. The Debate on Abortion in the US
2.2. The Handmaid’s Tale and Reproductive Rights
2.3. The Importance of Rhetoric
3. Euphemisms
3.1. Pro-Choice and Pro-Life Labels
3.2. Rituals
4. Metaphors
4.1. The Fetal ‘Heartbeat Bills’
4.2. Metaphors of Objectification and Dehumanization
5. Institutional Framing
5.1. Religious Framing
5.2. Political Framing
6. Conclusion
The primary objective of this thesis is to examine the pivotal role of language and rhetorical strategies within the ongoing discourse on reproductive rights. By analyzing both the real-world abortion debate in the United States and the narrative of Margaret Atwood’s The Handmaid’s Tale, the research aims to demonstrate how linguistic manipulation serves to influence public perception, shape political narratives, and exert institutional control over bodily autonomy.
1. Introduction
From the pages of a dystopian novel to the doorstep of reality, Margaret Atwood’s novel The Handmaid’s Tale casts an increasingly relevant shadow on the current socio-political landscape in the US. Atwood’s tweet, a snapshot of her holding a mug inscribed with the words “I told you so”, which she posted after the infamous Dobbs decision, underscores the chilling resonance her 1985 novel still holds in the current debates surrounding reproductive rights in the US (Margaret Atwood, Tweet). This is particularly true in the wake of the recent polarizing Dobbs vs. Jackson Women’s Health Organization decision from June 24, 2022 (Dobbs v. Jackson Women’s Health Organization. Landmark Decision. 597). With this decision the US Supreme Court overruled the 1973 Roe v. Wade decision, which had guaranteed a constitutional right to abortion until the fetus’ viability for almost 50 years. In the meantime, women dressed in the famous attire of Atwood’s Handmaids, with “red robes and white bonnets”, have become a striking symbol of resistance before and after Dobbs, their protests serving as a visible embodiment of the dystopian fiction (Fustich).
As defined by Wilson, reproductive rights encompass “the ability to choose if or when one wishes to start a family without interference from authorities” (9). These rights fall under the broad scope of human rights (Pavičić-Ivelja 25). The Universal Declaration of Human Rights, a globally accepted human rights document, declares that “[a]ll human beings are born free and equal in dignity and rights” (UN General Assembly art. 1). Despite prevailing human rights declarations, women’s freedoms are often compromised by laws granting control of their bodies to men (Adami 101). The words of Adrienne Rich ring true in this context: “There is nothing revolutionary whatsoever about the control of women's bodies by men. The woman’s body is the terrain on which patriarchy is erected” (qtd. in Wilson 1).
1. Introduction: Outlines the connection between the novel The Handmaid's Tale and the current US abortion debate, establishing the significance of rhetoric in reproductive politics.
2. The Rhetoric on Reproductive Rights: Provides a historical context to the abortion debate and links the significance of rhetorical strategies back to the novel.
3. Euphemisms: Investigates how linguistic softening and labeling, such as 'Pro-Choice' and 'Pro-Life', manipulate perceptions of the ongoing abortion debate and within the novel's ritual structure.
4. Metaphors: Explores the use of dehumanizing imagery, specifically 'Heartbeat Bills' and objectifying metaphors, in shaping public opinion and asserting control over women.
5. Institutional Framing: Analyzes the religious and political structures that standardize rhetoric to legitimize control, drawing parallels between Gilead's theocracy and US legislative practices.
6. Conclusion: Summarizes the parallels between the dystopian narrative and modern reality, reinforcing the critical need for linguistic analysis in the fight for reproductive autonomy.
Reproductive Rights, The Handmaid’s Tale, Rhetoric, Euphemism, Metaphor, Institutional Framing, Dobbs decision, Abortion, Bodily Autonomy, Gilead, Fetal Personhood, Political Discourse, Language Manipulation, Human Rights, Dystopian Fiction.
This thesis examines the rhetoric of reproductive rights by drawing parallels between the dystopian world portrayed in Margaret Atwood’s The Handmaid’s Tale and the contemporary abortion debate in the United States.
The research explores the impact of linguistic instruments—specifically euphemisms, metaphors, and institutional framing—on public perception, political discourse, and legislative actions.
The study aims to demonstrate how rhetorical choices can influence legal and societal standards, ultimately highlighting the potential danger of manipulative language in undermining rights such as bodily autonomy.
The work employs a text-based analysis and qualitative investigation of rhetorical strategies, comparing literary tropes from Atwood’s novel with real-world political developments and legal decisions.
The core chapters provide a detailed investigation into specific categorization labels ('Pro-Life'/'Pro-Choice'), metaphorical language ('Heartbeat Bills'), and the institutional power of religious and political framing in constructing societal narratives.
The central keywords include Reproductive Rights, Rhetoric, Euphemism, Institutional Framing, and Bodily Autonomy, which reflect the study's focus on the intersection of language, policy, and human rights.
The Dobbs decision is treated as an pivotal catalyst in recent US history that underscores the shifting legal landscape and the effectiveness of originalist constitutional framing in modern abortion law.
Yes, the thesis compares specific rituals and dehumanizing strategies in Gilead to real-world legislation, such as the Texas Heartbeat Act and other state-level abortion restrictions.
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