Fashion in Danceform. The Case of Chattayum mundum in Kerala, India

Table of Contents

• Abstract
• Acknowledgement
• Chapter 1
  • Introduction
  • Key terms
  • Literature Review
  • Research gap
  • Statement of the problem
  • Statement of Aim
  • Research question
  • Research Outcomes
  • Methodology
  • Limits of scope of research
• Chapter 2-Syrian Christians in Kerala
  • The History of Syrian Christians
  • Traditions of Syrian Christians
  • Syrian Christian dance-form of Margamkali
• Chapter 3 - The dressing of Syrian Christian women
  • History of Syrian Christian women's dressing
  • Design of Syrian Christian women's dressing

Objectives and Key Themes

This thesis investigates the transformation of the Chattayum mundum, a traditional attire of Syrian Christian women in Kerala, India, into a costume for Margamkali, a native Syrian Christian dance-form. It explores the revitalization of the Chattayum mundum through its integration into Margamkali, despite its decline within the Syrian Christian community. The research focuses on the interaction between these two elements in contemporary Kerala, analyzing the lived experiences of women wearing the Chattayum mundum and the coexistence of its traditional and costume forms. This study aims to provide a case study for heritage practitioners, highlighting the potential of contemporary art forms in reviving traditional fashion practices.

• The transformation of the Chattayum mundum into a Margamkali costume
• The revitalization of the Chattayum mundum through its integration into Margamkali
• The interaction between Chattayum mundum and Margamkali in contemporary Kerala
• The lived experiences of women wearing the Chattayum mundum
• The potential of contemporary art forms in revitalizing traditional fashion practices

Chapter Summaries

Chapter 1 introduces the research topic, outlining key terms, literature review, research gap, problem statement, research aims and questions, methodology, and limitations of scope. Chapter 2 provides a detailed analysis of the Syrian Christian community in Kerala, examining their history, traditions, and the dance form of Margamkali. This chapter explores the significance, performance, symbolism, and evolution of Margamkali. Chapter 3 delves into the history and design of Syrian Christian women's dressing, including the Chattayum mundum. It examines the evolution of Syrian Christian women's dress, the reflection of caste on their attire, and the role of clothing as a school uniform. The chapter also discusses the Chattayum mundum's different forms and its categorization based on usage.

Keywords

This research focuses on Syrian Christian women, Chattayum mundum, Margamkali, and contemporary Kerala. It explores the interplay of traditional and contemporary practices, specifically the revitalization of a traditional costume through its integration into a dance form.