Examensarbeit, 2009
74 Seiten, Note: 2,0
The introduction provides an overview of the two novels, *Herland* and *The Awakening*, and their significance as feminist works. It highlights the commonalities and differences in the authors' motivations and philosophies, emphasizing the need for a nuanced understanding of each work. The chapter concludes by outlining the thesis's structure and focus.
The second chapter delves into the prevalent conceptions of gender in nineteenth-century American society, examining how stereotypes, roles, and restrictions were grounded in biological determinism. The chapter traces the historical roots of these conceptions, highlighting the influence of the nature/culture dichotomy and its impact on the perception of men and women.
The subsequent chapters focus on the depiction of nature and gender within each novel. The analysis of *The Awakening* explores Chopin's portrayal of female nature, male nature, and the role of nature in the protagonist's awakening and rebellion. Similarly, the chapter on *Herland* analyzes Gilman's depiction of a utopian society inhabited solely by women, examining their unique relationship with nature and their views on gender roles.
The final chapter delves into the contrasts between Chopin and Gilman's conceptions of nature and gender, analyzing their respective perspectives on the relationship between humans and nature, female nature, female sexuality, and the relationship between female and male nature. The chapter aims to provide a comprehensive understanding of the authors' distinct approaches and motivations.
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