Forschungsarbeit, 2010
10 Seiten
This paper explores Mary Wollstonecraft's aesthetic views on poetry, the poet, and beauty. It examines her contributions to the understanding of aesthetics within the context of the broader history of Western literary criticism, with a particular emphasis on her critiques of traditional and hierarchical notions of taste and beauty.
The paper begins by establishing the historical context of Wollstonecraft's aesthetic thought, exploring the influence of major figures like Aristotle, Horace, and Longinus on English literary criticism. It then focuses on Wollstonecraft's critique of Edmund Burke's views on the sublime and the beautiful, highlighting her rejection of traditional, class-bound perspectives on aesthetics. The discussion proceeds to analyze Wollstonecraft's "poetic" temperament, emphasizing her advocacy for imagination, naturalism, and the individuality of the poet. The paper concludes with an exploration of the term "poetic" within Wollstonecraft's framework, examining her views on the relationship between consciousness and its object and the significance of imaginativeness in language.
This paper explores the key concepts of feminist aesthetics, beauty, sublime, poetic, imagination, spontaneity, and the role of individual experience in the formation of aesthetic judgment. It also examines the influences of key figures like Aristotle, Horace, Longinus, Burke, and Wordsworth on Wollstonecraft's aesthetic thought.
The essay explores Mary Wollstonecraft's aesthetic views on poetry, beauty, and the sublime, positioning her work as a feminist critique of established Romantic and Enlightenment ideas.
No, she never composed formal poetry, but her "poetic" temperament and creative energy are found in her dramas, fictions, letters, and polemical writings like "A Vindication of the Rights of Woman."
Her work was influenced by the principles of Aristotle's Poetics, Horace's Ars Poetica, and Longinus' On the Sublime.
She rejected Burke's traditional, class-bound, and gender-oriented perspective on the sublime and the beautiful, advocating instead for a more humanitarian and egalitarian aesthetic.
Wollstonecraft advocated for imagination and spontaneity as central elements of the aesthetic experience and the individuality of the poet.
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