Masterarbeit, 2008
84 Seiten, Note: 2,0
This thesis aims to analyze religious concepts within the fantasy genre, exploring how these concepts are portrayed and used in storytelling. The analysis focuses on three prominent fantasy works: Dragonlance, His Dark Materials, and Star Wars, examining the portrayal of deities, creation myths, divine entities, and other religious elements. The intention is to shed light on the complex relationship between fantasy literature, religious concepts, and their impact on storytelling.
This thesis focuses on the intersection of fantasy literature, religious concepts, and storytelling. Key themes include the portrayal of deities, creation myths, divine entities, religious symbols and metaphors, morality, good and evil, and the nature of power. The works analyzed include the Dragonlance series, His Dark Materials, and the Star Wars universe, offering insight into how fantasy literature reflects and reinterprets religious themes and traditions.
The thesis focuses on the Dragonlance series by Margaret Weis and Tracy Hickman, the His Dark Materials trilogy by Philip Pullman, and the Star Wars universe by George Lucas.
The term includes beliefs and rituals related to higher beings, philosophies requiring belief, and specific ideas like dualism, gnosticism, or the concept of balance found in Buddhism.
The analysis covers creation myths, the divine pantheon (gods of good, neutrality, and evil), numerology, and the process of how a character can become a god.
Pullman reinterprets the "Fall of Mankind" as a potential blessing, challenges the heaven-hell dichotomy, and explores the death of "The Authority."
The thesis examines the connections between the concept of the Force in Star Wars and Taoist philosophy, as well as its portrayal as a form of magic.
For a long time, it was deemed unimportant because it did not take place in the real world and was often published in cheap formats. Writers often had to disguise fantasy as travel stories or dreams.
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