Bachelorarbeit, 2022
30 Seiten, Note: 1,7
This paper examines the contrasting depictions of Christianity in two antebellum slave novels, Clotel; or, The President's Daughter and Uncle Tom's Cabin, to understand how religious rhetoric was used to support or oppose slavery. The analysis focuses on how each novel portrays both pro-slavery and anti-slavery interpretations of Christianity and their respective functions within the narratives. The paper aims to demonstrate how both novels ultimately utilize the concept of a "True Christianity" to construct a powerful abolitionist argument.
1. Introduction: This chapter sets the stage by exploring the significant role of religion in the slavery debate in the United States. It highlights the conflicting interpretations of Christianity, with some using biblical justifications to support slavery while others argued against it on moral and religious grounds. The chapter introduces the central research question: How are these different Christian perspectives depicted in slave narratives, and what purposes do these depictions serve? It then introduces the two novels, Clotel and Uncle Tom's Cabin, as primary texts for this analysis, emphasizing the importance of religion in their respective abolitionist arguments.
2. Clotel: This chapter provides background information on William Wells Brown's Clotel; or, The President's Daughter, highlighting its significance as the first novel published by an African American author. It discusses Brown's aim to expose the realities of slavery and to influence British opinion against the institution. The chapter analyzes the novel's unconventional structure, characterized by a non-linear narrative and the inclusion of real and fictional accounts. It explores how this structure creates a panoramic overview of slavery, moving beyond singular narratives to illustrate the pervasive nature of the institution and its impact on multiple lives and locations.
Slave narratives, Christianity, slavery, abolitionism, Clotel; or, The President's Daughter, Uncle Tom's Cabin, William Wells Brown, Harriet Beecher Stowe, pro-slavery theology, anti-slavery theology, religious rhetoric, literary analysis, comparative literature.
The document is a language preview for an academic paper that analyzes the portrayal of Christianity in two antebellum slave novels: Clotel; or, The President's Daughter and Uncle Tom's Cabin. It explores how religious rhetoric was used to either support or oppose slavery during that period.
The paper aims to examine the contrasting depictions of Christianity in the two novels, focusing on:
The central research question is: How are different Christian perspectives depicted in slave narratives, and what purposes do these depictions serve?
The introduction explores the role of religion in the slavery debate, highlighting conflicting interpretations of Christianity. It introduces Clotel and Uncle Tom's Cabin as primary texts for analysis, emphasizing the importance of religion in their respective abolitionist arguments.
The chapter on Clotel provides background information on William Wells Brown's novel, highlighting its significance as the first novel published by an African American author. It discusses Brown's aim to expose the realities of slavery and to influence British opinion. The chapter analyzes the novel's structure and how it creates a panoramic view of slavery.
The keywords are: Slave narratives, Christianity, slavery, abolitionism, Clotel; or, The President's Daughter, Uncle Tom's Cabin, William Wells Brown, Harriet Beecher Stowe, pro-slavery theology, anti-slavery theology, religious rhetoric, literary analysis, comparative literature.
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