Masterarbeit, 2023
111 Seiten, Note: 16
Introduction
Part One: Mobility in A Distant Shore and Foreigners: Three English Lives
1. Meanings of Mobility
2. Power and Mobility: Mobilization and Immobilization of Characters
3. The Outcomes of the Characters’ Mobility: Liminality, Alienation, Disillusionment and Temporal Confusion
Part 2: Identity in Caryl Phillips’ A Distant Shore and Foreigners: Three English Lives
1. Identity as a Mobile Entity
2. The Hybrid Nature of Identity
3. Identity Crisis
Part Three; Racism in Caryl Phillips’ A Distant Shore and Foreigners: Three English Lives
1. Manifestations of Racism: Interpersonal and Systemic Racism
2. Antagonisms Igniting Racism
3. The Repercussions of Racism
Conclusion
This master's dissertation explores the intersection of mobility, identity, and racism within Caryl Phillips' literary works A Distant Shore and Foreigners: Three English Lives, analyzing how spatial transition impacts the characters' psychological stability and social positioning.
1. Meanings of Mobility
The literal meaning of mobility stands for the physical movement of people from one place to another. While voluntary movements are based on people’s choice and freedom, involuntary movements are caused by many factors, such as political instability, war, economic crisis and so on. In A Distant Shore, Gabriel, an African man, immigrates from Africa to Britain in order to escape the devastating power of war. Thus, his movement, which is undoubtedly a forced one, manifests itself as an involuntary migration. In his native African village, Gabriel’s family is slaughtered by African military troops.
Introduction: Provides the biographical context of Caryl Phillips and outlines the dissertation's focus on mobility, identity, and racism in his selected literary works.
Part One: Mobility in A Distant Shore and Foreigners: Three English Lives: Examines how literal and metaphorical mobility are conditioned by structures of power and their subsequent impact on character stability.
Part 2: Identity in Caryl Phillips’ A Distant Shore and Foreigners: Three English Lives: Analyzes identity as a mobile, hybrid entity, exploring how traumatic experiences and social interactions lead to identity crises.
Part Three; Racism in Caryl Phillips’ A Distant Shore and Foreigners: Three English Lives: Investigates interpersonal and systemic racism as fundamental tools for the oppression and dehumanization of immigrants in the host environment.
Conclusion: Synthesizes the core findings, emphasizing the inevitable connection between geographic transition, identity fragmentation, and exposure to racism.
Mobility, Identity, Racism, Caryl Phillips, A Distant Shore, Foreigners, Hybridity, Systemic Racism, Liminality, Alienation, Disillusionment, Postmodernism, Migration, Identity Crisis, Orientalism
This work examines the interconnectedness of mobility, identity, and racism in the selected novels A Distant Shore and Foreigners: Three English Lives by Caryl Phillips.
The study centers on spatial transition, cultural hybridity, systemic oppression, and the psychological impact of being a marginalized foreigner in Britain.
The aim is to analyze how the mobility of characters—from the margin to the metropolitan center—precipitates changes in their identity and exposes them to various forms of interpersonal and systemic racism.
The research adopts a critical approach, utilizing literary analysis supported by theories of mobility, identity, hybridity (Homi Bhabha), and social constructivism/racial formation theory.
The body is divided into three parts: the nature of mobility and power, the shifting/hybrid nature of identity, and the manifestations and repercussions of racism.
The keywords highlight the focus on the migratory experience, the conceptualization of race and selfhood, and the analytical framework rooted in postcolonial and sociological theory.
Liminality is used to describe the "in-between" status of immigrants who are physically in the host country but socially and psychologically excluded, leaving them in a state of suspended belonging.
Phillips contests the traditional binary oppositions (e.g., civilised vs. uncivilised) by re-associating these traits to invert the colonial narrative, exposing the "darkness" of the host society and the "humanity" of the oppressed.
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