Forschungsarbeit, 2009
66 Seiten
1. Introduction
Chapter One: The History Behind “Black Hand”
1.1. The Brief History of Mafia Development
1.1.1. The Development of the Mafia
1.1.2. American Mafia
1.1.3. The Commission
1.1.4. Vegas and the Mafia
1.2. The Structure of La Cosa Nostra:
1.3. Mafia Divisions
1.4. Mafia Induction:
1.5. Mafia Activities:
Chapter Two: The Cultural Effects of Mob Fiction
2.1. Mob Fiction and American Culture
2.2. The Effects of Mob Fiction on Organized Crime
2.3. Echoes of Mob Fiction
Chapter Three: Mario Puzo and the History of Sensational Novel
3.1. Pulp Fiction and its Development
3.1.1. ‘Penny dreadfuls’
3.1.2. Dime novels
3.1.3. Pulp fiction and the hard-boiled fiction
3.2. Mario Puzo – Italian American novelist or the Pulp Fiction writer?
Conclusion
The thesis examines the dual nature of the Mafia phenomenon by exploring its historical evolution in Sicily and the United States, and investigating how popular media—specifically Mario Puzo’s "The Godfather"—has fundamentally shaped, romanticized, and cemented public perceptions of organized crime in modern society.
The History Behind “Black Hand”
Mafia was a name given to a number of organized groups of Sicilian brigands in the nineteenth and twentieth century. Unlike the Camorra in Naples, the Mafia had no hierarchic organization; each group operated on its own.
Historically, the Mafia originated in feudal times, when lords hired brigands to guard their estates in exchange for protection from the royal authority. According to The Columbia Encyclopedia: “the underlying assumption of the Mafia was that legal authorities were useless and that justice must be obtained directly, as in the vendetta.” Italian attempts to curtail the Mafia have suffered from political corruption and the assassination of judges.
Through emigration the organization spread to the United States (where it was sometimes called the Black Hand). It was and continues to be involved in many illegal operations such as trade in narcotics, gambling, prostitution, labor union racketeering as well as certain legal enterprises, such as trucking and construction, within the United States.
Chapter One: The History Behind “Black Hand”: Traces the origins of the Mafia in feudal Sicily and its subsequent evolution into a complex criminal organization in the United States, including key events like the Apalachin Raid.
Chapter Two: The Cultural Effects of Mob Fiction: Analyzes how literature and films, particularly "The Godfather", have influenced public perception and created a romanticized myth surrounding the Italian American Mafia.
Chapter Three: Mario Puzo and the History of Sensational Novel: Explores the origins of pulp fiction and the literary trajectory of Mario Puzo, analyzing how his work bridged the gap between popular sensationalist writing and cultural mythology.
Mafia, Organized Crime, La Cosa Nostra, The Godfather, Mario Puzo, Pulp Fiction, Cultural Impact, American Culture, History of Organized Crime, Omerta, Crime Fiction, Syndicate, Prohibition, Criminal Archetypes, Ethnicity
This thesis explores the history and cultural representation of the Mafia, focusing on how factual organized crime evolved and how it has been perceived through popular media.
The central themes include the historical transition of Mafia structures from Sicily to the U.S., the influence of media on public perception, and the role of "The Godfather" in shaping the identity of the Italian American criminal archetype.
The work investigates why Italian American organized crime remains such a dominant mainstay in pop culture and to what extent "The Godfather" created the persistent pop-culture archetype of the Mafioso.
The author employs a historical-analytical approach, synthesizing existing literature, historical documents, and sociological studies to model organized crime as a government-like enterprise.
The chapters provide a chronological and thematic analysis: beginning with the historical development of the Mafia, moving to the cultural impact of mob fiction, and finally analyzing the literary origins of the sensational novel in relation to Puzo's success.
Key terms include Mafia, Organized Crime, La Cosa Nostra, The Godfather, Mario Puzo, and Pulp Fiction.
Prohibition provided the wealth and infrastructure necessary for the American Mafia to transition from local street gangs into a powerful, organized criminal syndicate that infiltrated legitimate sectors of the economy.
The Commission was established to resolve disputes between families, provide a hierarchical framework for national activity, and maintain order, effectively transforming the Mafia into a multi-family syndicate.
The author argues that "The Godfather" did more to alter public perception of the Mafia than any scholarly work, embedding specific myths of family, honor, and business into the global consciousness.
The author demonstrates that mob literature derives from the sensationalist traditions of earlier "pulp" publications, which prioritized excitement and escapism over factual representation.
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