Forschungsarbeit, 2009
66 Seiten
This thesis aims to explore the multifaceted nature of the Mafia, tracing its historical development and examining its portrayal in popular culture, particularly through the lens of Mario Puzo's The Godfather. The analysis will delve into the historical context of the Sicilian Mafia, its cultural impact, and the evolution of its representation in literature and film.
Chapter One: The History Behind “Black Hand”: This chapter provides a historical overview of the Sicilian Mafia, tracing its origins from feudal times to its expansion into the United States. It explores the Mafia's initial role as a protector of the weak and poor in a context of weak state authority, contrasting this with its later involvement in various criminal activities, including narcotics trafficking, gambling, and extortion. The chapter examines the lack of a clear hierarchical structure in the early Mafia and the challenges faced by Italian authorities in combating its influence. It also highlights the significant events that shaped the Mafia's evolution, and the eventual acceptance of its existence by law enforcement and legal professionals. The chapter connects the historical development of the Mafia to the broader context of organized crime globally, drawing parallels with other historical examples, such as Roman gangs and piracy, to emphasize the long-standing nature of such criminal networks. The narrative emphasizes the Mafia’s adaptation and evolution over time, including a shift toward "white-collar" criminal activities in more recent decades. Furthermore, the chapter delves into the complex relationship between the Mafia, state authority, and public perception, noting the long period where its existence was denied or downplayed.
Sicilian Mafia, organized crime, The Godfather, Mario Puzo, popular culture, history, extortion, racketeering, money laundering, white-collar crime, cultural impact, public perception.
This text is a comprehensive language preview providing an overview of a thesis exploring the multifaceted nature of the Mafia. It traces the Mafia's historical development, examines its portrayal in popular culture (particularly through Mario Puzo's The Godfather), and analyzes its cultural impact and evolving representation in literature and film.
The key themes include the historical origins and evolution of the Sicilian Mafia, the impact of The Godfather on public perception, the role of popular culture in shaping understandings of organized crime, the Mafia's transition to white-collar crime, and the complex relationship between the Mafia and the state.
The table of contents includes an introduction and Chapter One: The History Behind “Black Hand,” which further breaks down into a section detailing the brief history of Mafia development.
Chapter One provides a historical overview of the Sicilian Mafia, tracing its origins, its initial role as a protector, its involvement in various criminal activities, the lack of a clear early structure, challenges faced by Italian authorities, significant events shaping its evolution, and the eventual acceptance of its existence by law enforcement. It connects the Mafia's development to the broader context of global organized crime, highlighting its adaptation and evolution, including a shift towards "white-collar" crime, and the complex relationship between the Mafia, state authority, and public perception.
The thesis aims to explore the multifaceted nature of the Mafia, tracing its historical development and examining its portrayal in popular culture, particularly through the lens of Mario Puzo's The Godfather. The analysis will delve into the historical context of the Sicilian Mafia, its cultural impact, and the evolution of its representation in literature and film.
The keywords include Sicilian Mafia, organized crime, The Godfather, Mario Puzo, popular culture, history, extortion, racketeering, money laundering, white-collar crime, cultural impact, and public perception.
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