Magisterarbeit, 2009
69 Seiten
Didaktik für das Fach Englisch - Literaturgeschichte, Epochen
This work aims to explore the concept of "crossing the color line" in American politics and African American literature. It examines how the line has been navigated throughout history, from the Vernacular tradition and the Jim Crow era to the Harlem Renaissance and Barack Obama's presidency.
The key concepts and themes explored in this work include: the Vernacular tradition, African American literature, Jim Crow, the Harlem Renaissance, racial discrimination, the Civil Rights movement, Barack Obama, and "crossing the color line".
It refers to the transition and challenges of African Americans moving past racial barriers in political leadership, exemplified by Barack Obama's presidency.
The Vernacular tradition, particularly spirituals, served as a linguistic and cultural milestone that shaped African American identity and literary expression.
Written by Charles W. Chesnutt, it explores racial identity and the concept of "passing" within the restrictive context of Jim Crow America.
W.E.B. Du Bois and Alain Locke are highlighted as foundational figures who promoted African American cultural and artistic flourishing.
The novel is used to analyze historical discrimination and the struggle for visibility leading up to the Civil Rights movement.
While his victory proved that black and white Americans could be mobilized together, the work suggests it did not heal all racial divisions or make them ignorable.
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