The reality—fiction opposition in children’s literature

Inhaltsverzeichnis (Table of Contents)

• INTRODUCTION
• 1 GENERAL REMARKS ON CHILDREN'S LITERATURE AND METAREFERENTIALITY
  • 1.1 The elusive nature of children's literature
  • 1.2 Literary metareference and the reality—fiction opposition
• 2 THE REALITY-FICTION OPPOSITION IN LEWIS CARROLL'S ALICE-STORIES
  • 2.1 Introductory remarks and plot summary
  • 2.2 Framing the border-crossing between reality and fiction
  • 2.3 Metalepses and tangled hierarchies between reality and fiction
  • 2.4 Carroll's use of language in discussing the reality—fiction opposition
  • 2.5 Carroll's use of identity and illusion in discussing the reality—fiction opposition
  • 2.6 Synopsis
• 3 THE REALITY-FICTION OPPOSITION IN MICHAEL ENDE'S DIE UNENDLICHE GESCHICHTE
  • 3.1 Introductory remarks and plot summary
  • 3.2 Framing the border-crossing between reality and fiction
  • 3.3 Metalepses and tangled hierarchies between reality and fiction
  • 3.4 Ende's use of language in discussing the reality-fiction opposition
  • 3.5 Ende's use of language in discussing the reality—fiction opposition
  • 3.6 Synopsis
• 4 THE REALITY-FICTION OPPOSITION IN JOHN CONNOLLY'S THE BOOK OF LOST THINGS
  • 4.1 Introductory remarks and plot summary
  • 4.2 Framing the border-crossing between reality and fiction
  • 4.3 Metalepses and tangled hierarchies between reality and fiction
  • 4.4 Connolly's use of language in discussing the reality—fiction opposition
  • 4.5 Connolly's use of identity and illusion in discussing the reality—fiction opposition
  • 4.6 Synopsis
• CONCLUSION

Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)

This paper examines the representation and treatment of the reality-fiction opposition in four classic children's literature works: Alice's Adventures in Wonderland, Through the Looking-Glass, Die Unendliche Geschichte, and The Book of Lost Things. The objective is to analyze how these works utilize metafictional elements to explore the relationship between reality and fiction, particularly through the concepts of border-crossing, metalepses, language, and identity.

• The elusive nature of children's literature
• Metareferentiality and the reality-fiction opposition
• The structural depiction and framing of reality and fiction
• Transgressions of the borders between reality and fiction
• The role of language in highlighting or blurring the reality-fiction opposition

Zusammenfassung der Kapitel (Chapter Summaries)

This section summarizes the main themes and arguments of the chapters.

• Chapter 1: This chapter introduces the study by providing general remarks on the nature of children's literature and metareferentiality. It discusses the blurred boundaries between children's and adult literature and emphasizes the significance of metareferentiality in contemporary culture.
• Chapter 2: This chapter focuses on the reality-fiction opposition in Lewis Carroll's Alice-stories. It explores how Carroll frames the border-crossing between reality and fiction, analyzes metalepses and tangled hierarchies within the narrative, and examines the role of language in blurring the distinction between these two realms.
• Chapter 3: This chapter examines the reality-fiction opposition in Michael Ende's Die Unendliche Geschichte. It analyzes how Ende depicts the crossing of borders between reality and fiction, explores metalepses and hierarchical complexities, and investigates the use of language in representing these opposing concepts.
• Chapter 4: This chapter investigates the reality-fiction opposition in John Connolly's The Book of Lost Things. It examines how Connolly frames the border-crossing between reality and fiction, analyzes metalepses and hierarchical structures within the narrative, and discusses the role of language in blurring the distinction between these two realms.

Schlüsselwörter (Keywords)

The key concepts and themes explored in this work include children's literature, metareferentiality, reality-fiction opposition, border-crossing, metalepses, language, identity, and illusion. The study examines the interconnectivity of these concepts and their implications for understanding the relationship between reality and fiction in literary narratives.