Forschungsarbeit, 2011
31 Seiten
Philosophie - Theoretische (Erkenntnis, Wissenschaft, Logik, Sprache)
This section aims to explore the relationship between Richard Wagner's work and the ideas of Romanticism, particularly in relation to Goethe's Faust and Beethoven's Eroica Symphony. It examines the connection between these three figures, emphasizing the unifying presence of Faust as a central ideal.
The primary keywords and focus topics of the text include Wagner, Goethe, Beethoven, Faust, Eroica Symphony, Romanticism, organicism, Gesamtkunstwerk, Totality, nature, and love. These concepts are explored through a comparative analysis of the works of Wagner, Goethe, and Beethoven, highlighting the influence of Romanticism and the significance of nature in their artistic processes.
The connection is symbolized in a triadic union where Faust (Goethe) and the Eroica (Beethoven) represent the ideals that find their maximum expression in Wagner's work.
Faust served as a central ideal for Wagner, influencing his concept of the Gesamtkunstwerk and the organic unity of art.
The Eroica Symphony is seen as a musical counterpart to the Faustian ideal, representing the revolutionary spirit of Romanticism that Wagner continued.
Totality refers to the integration of all art forms into a single, unified experience, a core principle of Wagner's operatic vision.
All three were driven by Romantic themes such as nature, love, and the exploration of the human soul through art.
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