Magisterarbeit, 2009
109 Seiten, Note: 1,3
African American women writers, Mexican American women writers, Harlem Renaissance, Chicano Movement, Zora Neale Hurston, Sandra Cisneros, Their Eyes Were Watching God, The House on Mango Street, Woman Hollering Creek and Other Stories, race, gender, identity, marginalization, discrimination, narrative strategies, Black English Vernacular, code-switching, Ecriture Feminine, feminist discourse, literary canon.
This document provides a comprehensive overview of a language preview focusing on the works of African American and Mexican American women writers. It analyzes their narrative strategies, explores themes of race, gender, and identity, and examines how these writers established distinct literary traditions within the broader American literary canon. The analysis centers on the works of Zora Neale Hurston (African American) and Sandra Cisneros (Mexican American), comparing and contrasting their approaches despite differences in time period and cultural context.
The key themes explored include the establishment of distinct African American and Mexican American female literary voices, the exploration of marginalization and discrimination, the portrayal of racial, sexual, and artistic empowerment, the transgression of traditional gender roles, and the quest for collective identity within each ethnic group. Specific works analyzed include Zora Neale Hurston's Their Eyes Were Watching God and Sandra Cisneros' The House on Mango Street and Woman Hollering Creek and Other Stories.
The document is structured as follows: an introduction setting the historical context; a section on African American women writers, focusing on Zora Neale Hurston and Their Eyes Were Watching God; a section on Mexican American women writers, focusing on Sandra Cisneros and her works; and a concluding section. Each section contains detailed chapter summaries, outlining the key arguments and analyses presented.
The main authors analyzed are Zora Neale Hurston and Sandra Cisneros. The document examines their individual styles, narrative techniques, and thematic concerns, drawing parallels between their works while acknowledging their unique cultural contexts and historical periods.
The primary literary works analyzed are Zora Neale Hurston's Their Eyes Were Watching God, and Sandra Cisneros' The House on Mango Street and Woman Hollering Creek and Other Stories. The analysis delves into narrative structure, language use, thematic development, and the authors' innovative strategies for expressing their experiences as women within ethnic minority groups.
Key concepts and terms include: Harlem Renaissance, Chicano Movement, Black English Vernacular, code-switching, Ecriture Feminine, feminist discourse, race, gender, identity, marginalization, discrimination, narrative strategies, and literary canon.
The document argues that African American and Mexican American women writers developed innovative narrative strategies to establish their literary voices and express their experiences as women within ethnic minority groups. It highlights the parallel yet distinct literary traditions these writers created, showing how they challenged societal norms and contributed significantly to the evolution of the American literary canon. The analysis emphasizes the importance of understanding these works within their historical and cultural contexts.
The full text of the analyzed works and the complete academic paper are not included in this preview. This document provides a summary and overview of the content for academic purposes.
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