Magisterarbeit, 2010
74 Seiten, Note: "Merit"
This dissertation examines two DEFA films, "Die Abenteuer des Werner Holt" and "Ich war neunzehn," to understand how they shaped the national identity of East Germany during the 1960s. By analyzing the films' use of genre, the author explores how these films contributed to popular notions of national identity in the GDR.
The dissertation begins with an introduction that examines the history of DEFA film production and the context surrounding the creation of these two films. It then analyzes each film's use of different genres, exploring how these genres contribute to the understanding of national identity in the GDR.
The chapter focusing on the genre "Anti-Fascist Film" explores how these films confront the legacy of National Socialism and its impact on German society. The chapter on "Anti-War Film" analyzes the films' portrayal of the Second World War and the experiences of German soldiers. "Biographical Film" focuses on how the films utilize biographical narratives to explore individual experiences and their relationship to national identity.
The chapters on "Road Movie" and "Western" examine the use of these genres to explore themes of displacement, identity, and the search for belonging in the context of post-war Germany.
This dissertation explores key concepts related to the role of film in shaping national identity, specifically focusing on DEFA film production in East Germany, the use of genre conventions, and the historical context of the post-war period in Germany. It analyzes the films "Die Abenteuer des Werner Holt" and "Ich war neunzehn" to understand how they contributed to the construction of a national identity in the GDR.
These are films produced by the East German state film company DEFA, intended to help build a new socialist national identity by confronting the fascist past.
The dissertation focuses on "Die Abenteuer des Werner Holt" (The Adventures of Werner Holt) and "Ich war neunzehn" (I Was Nineteen), both produced in the 1960s.
DEFA was tasked with restoring democracy in Germany and removing all traces of fascist and militaristic ideology from people's minds through cinema.
Filmmakers like Konrad Wolf used genres like the "Anti-Fascist Film" and "Road Movie" to explore the causes of the catastrophe and promote a new moral foundation.
It was used to portray the horrors of the Second World War and the experiences of soldiers to de-legitimize militarism and support the GDR's anti-fascist narrative.
Der GRIN Verlag hat sich seit 1998 auf die Veröffentlichung akademischer eBooks und Bücher spezialisiert. Der GRIN Verlag steht damit als erstes Unternehmen für User Generated Quality Content. Die Verlagsseiten GRIN.com, Hausarbeiten.de und Diplomarbeiten24 bieten für Hochschullehrer, Absolventen und Studenten die ideale Plattform, wissenschaftliche Texte wie Hausarbeiten, Referate, Bachelorarbeiten, Masterarbeiten, Diplomarbeiten, Dissertationen und wissenschaftliche Aufsätze einem breiten Publikum zu präsentieren.
Kostenfreie Veröffentlichung: Hausarbeit, Bachelorarbeit, Diplomarbeit, Dissertation, Masterarbeit, Interpretation oder Referat jetzt veröffentlichen!

