Doktorarbeit / Dissertation, 2011
228 Seiten, Note: Pass
The composition "Exhalation / Expiration" for wind ensemble is a doctoral thesis submitted to McGill University by Alexandra Fol. This work explores the concepts of breath, life, and death through musical and sonic means. It is intended for a large ensemble of 34 musicians, highlighting a wide range of instrumental colors and dynamics.
The first chapter, "Instrumentation," outlines the specific instruments and their roles in the ensemble. It provides detailed information on each instrument's part in the composition. The second chapter, "Legend," establishes a set of musical symbols and notations specific to the work, which guide the performers through the piece. The third chapter, "Performance notes," offers guidance to musicians regarding specific performance techniques and nuances. The final chapter, "Duration," simply states the total length of the work.
The composition focuses on the themes of breath, life, death, wind ensemble, instrumentation, performance techniques, and musical notation.
The work is a metaphorical mapping of a healthy body being infected with a mortal sickness and its gradual demise, explored through the concept of breath.
The composition is written for a wind ensemble consisting of thirty-four players.
The total duration of the musical piece is approximately twenty-one-and-a-half minutes.
The approach is informed by the philosophical doctrine of Thracian Oral Orphism as well as medical research on terminally ill cancer patients.
The composer defines "event-type" and "process-type" signs, using specific harmonic, rhythmic, and orchestrational treatments to represent the transition between health (A) and sickness (B).
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