Bachelorarbeit, 2011
36 Seiten, Note: 2,0
1. Introduction
2. Background Knowledge on AAVE
2.1 Definition, Origin, Speakers of AAVE and Attitudes Towards It
2.2 Overview of the Most Important Features of AAVE
2.3 Hip Hop and AAVE
2.4 The Research Question
3. Materials and Method
3.1 The Artists
3.2 The Song Selection
3.3 The Method
4. Results and Discussion
4.1 Results
4.2 Discussion
4. Conclusion
This thesis investigates the manifestation of African American Vernacular English (AAVE), specifically the usage of the copula "to be," within contemporary Hip Hop music. The study aims to determine how three prominent rappers—Tupac, Jay-Z, and 50 Cent—employ copula deletion in their lyrics and whether their linguistic patterns shifted diachronically throughout their careers. Furthermore, it addresses the broader scholarly debate regarding the validity of Hip Hop as a reliable linguistic corpus for studying AAVE.
3.3 The Method
In the last section of this part of the thesis, I am going to explain the method I used to conduct the study. First, I will mention which instances of the copula are going to be counted in the following study. Afterwards I will discuss the different calculations on the copula deletion.
One issue for the study of the copula is that there is no agreement among scholars which cases of the copula to count and which ones not to count. Blake summarized the different opinions (cf. Blake 1997), building up her own guide on which cases are to count. Blake’s guide is the one going to be used in the subsequent analysis, as it seems to be the most appropriate one. I am going to summarize the C forms (= “count” forms) of the copula, followed by the DC cases (= “don’t count”).
1. Introduction: This chapter introduces the focus on AAVE in contemporary music and identifies the copula "to be" as the central linguistic structure for analysis.
2. Background Knowledge on AAVE: This chapter outlines the theoretical definitions, origins, and key phonological and grammatical features of AAVE, while exploring the cultural intersection of Hip Hop and the vernacular.
3. Materials and Method: This chapter introduces the three analyzed artists, details the selection criteria for their albums, and explains the specific linguistic methodology used to count copula deletion.
4. Results and Discussion: This chapter presents the statistical data from the lyrics and discusses the findings in relation to the artists' careers and the potential limitations of music as a linguistic data source.
4. Conclusion: This chapter summarizes the analysis, noting the variations and similarities in copula usage across the artists and reflecting on the reliability of Hip Hop as a data source for AAVE.
AAVE, African American Vernacular English, Hip Hop, Copula Deletion, Rap, Linguistic Analysis, Tupac, Jay-Z, 50 Cent, Sociolinguistics, Gangsta Rap, Syntax, Labov, Vernacular, Authenticity
The work investigates the use of African American Vernacular English (AAVE), specifically the deletion of the copula "to be," in the lyrics of prominent American rappers.
The research analyzes the lyrics of Tupac, Jay-Z, and 50 Cent, focusing on two albums from each artist to track diachronic changes.
The thesis asks how the copula is used in rap music and whether the usage of copula deletion differs among these three artists over the course of their careers.
The study utilizes the Labov Contraction and Labov Deletion formulae, following the guidelines for "count" and "don't count" forms established by Renée Blake.
The author concludes that while Hip Hop is a significant medium for AAVE, it is not always a perfectly reliable source for linguistic study because of the creative and rhythmic constraints of the music genre.
All three are African American "gangsta rap" artists from lower-class backgrounds who grew up in poverty and achieved significant commercial success in different decades.
The research suggests that social changes—such as moving from the "streets" to wealth and status—may influence a rapper's tendency to use or avoid vernacular features like copula deletion.
The analysis suggests that this decrease may be linked to his change in social environment and the professional circles he interacts with after achieving fame.
In the Hip Hop culture, there is an expectation to be "real." The author hypothesizes that some artists maintain or increase their use of AAVE as a strategy to remain authentic to their roots.
Der GRIN Verlag hat sich seit 1998 auf die Veröffentlichung akademischer eBooks und Bücher spezialisiert. Der GRIN Verlag steht damit als erstes Unternehmen für User Generated Quality Content. Die Verlagsseiten GRIN.com, Hausarbeiten.de und Diplomarbeiten24 bieten für Hochschullehrer, Absolventen und Studenten die ideale Plattform, wissenschaftliche Texte wie Hausarbeiten, Referate, Bachelorarbeiten, Masterarbeiten, Diplomarbeiten, Dissertationen und wissenschaftliche Aufsätze einem breiten Publikum zu präsentieren.
Kostenfreie Veröffentlichung: Hausarbeit, Bachelorarbeit, Diplomarbeit, Dissertation, Masterarbeit, Interpretation oder Referat jetzt veröffentlichen!

