Bachelorarbeit, 2011
36 Seiten, Note: 2,0
This thesis aims to investigate the use of African American Vernacular English (AAVE) in contemporary Hip Hop music. It focuses specifically on the use of the copula verb "to be" as a key feature of AAVE, analyzing its prevalence in the lyrics of three prominent rappers: Tupac, Jay-Z, and 50 Cent. The study explores whether Hip Hop music can serve as a reliable source for linguistic analysis of AAVE.
1. Introduction: This chapter introduces the thesis's central focus: the analysis of African American Vernacular English (AAVE) within contemporary Hip Hop music. It establishes the scope of the research, specifying the focus on the copula verb "to be" and its usage by three prominent rappers – Tupac, Jay-Z, and 50 Cent. The introduction justifies the selection of Hip Hop as a significant genre reflecting AAVE, acknowledging the genre’s popularity and cultural relevance within the African American community. It also acknowledges the complexities of analyzing language within the artistic context of music, hinting at the potential challenges and nuances involved in interpreting linguistic features within a musical framework.
2. Background Knowledge on AAVE: This chapter provides essential background information on AAVE, addressing its various names and historical contexts. It offers a definition of AAVE, exploring its origins, its speakers, and the various attitudes and perceptions surrounding the dialect. This section then delves into a detailed overview of AAVE's most significant linguistic features, laying the groundwork for a comprehensive understanding of the dialect and the specific features chosen for analysis. The chapter’s final part introduces the role of Hip Hop music in relation to AAVE, examining the relationship between the two and setting the stage for the thesis’s central analysis. It also specifically addresses the research question concerning the reliability of using Hip Hop lyrics as data for AAVE study.
3. Materials and Method: This chapter outlines the methodology employed in the thesis. It details the selection of the three artists – Tupac, Jay-Z, and 50 Cent – explaining the criteria used and their relevance to the study. The chapter then explains the selection process of songs to be included in the analysis. Finally, it elaborates on the specific methods used to analyze the data, providing a clear and transparent account of the research process. This explanation ensures the reproducibility and validity of the research findings.
4. Results and Discussion: This chapter presents the findings of the analysis of copula usage in the selected Hip Hop lyrics. It details the results obtained from the data, providing a structured presentation of the quantitative and qualitative observations. The discussion section then interprets these results, analyzing the patterns and variations observed and relating them to the established background information on AAVE. The chapter explores the implications of the findings, connecting them to the broader theoretical framework and addressing the research questions posed in the introduction. It directly addresses whether observed patterns support or challenge existing understanding of AAVE and the use of this genre as a linguistic source.
African American Vernacular English (AAVE), Hip Hop music, copula verb, linguistic analysis, rap lyrics, sociolinguistics, diachronic analysis, language variation, cultural context, linguistic features, Tupac, Jay-Z, 50 Cent.
This thesis investigates the use of African American Vernacular English (AAVE) in contemporary Hip Hop music, specifically focusing on the copula verb "to be" and its usage by Tupac, Jay-Z, and 50 Cent. It explores whether Hip Hop can serve as a reliable source for linguistic analysis of AAVE.
Key themes include the prevalence and variation of copula deletion in AAVE within Hip Hop lyrics; a diachronic analysis of copula usage across the rappers' careers; a comparison of copula usage across different rappers and their styles; an evaluation of Hip Hop as a source for AAVE linguistic research; and the relationship between sociolinguistic factors (class, background) and linguistic choices in rap music.
The study analyzes the lyrics of three prominent rappers: Tupac, Jay-Z, and 50 Cent.
The thesis details the selection criteria for the artists and songs. It then elaborates on the specific methods used to analyze the data, ensuring reproducibility and validity of the findings.
The "Results and Discussion" chapter presents the findings of the analysis of copula usage in the selected Hip Hop lyrics. It details the quantitative and qualitative observations, interprets the patterns and variations, and relates them to existing knowledge of AAVE. The implications of the findings are discussed in relation to the research questions and existing theoretical frameworks.
The thesis explores the potential and limitations of using Hip Hop music as a reliable source for linguistic analysis of AAVE, acknowledging the genre's cultural relevance and potential challenges in interpreting linguistic features within a musical context.
The thesis provides a comprehensive overview of AAVE, including its definition, origin, speakers, attitudes towards it, and key linguistic features. It also examines the relationship between Hip Hop music and AAVE.
The conclusion chapter summarizes the findings and their implications, addressing whether the observed patterns support or challenge existing understanding of AAVE and the use of Hip Hop as a linguistic source. It offers a final assessment of the research questions.
Keywords include: African American Vernacular English (AAVE), Hip Hop music, copula verb, linguistic analysis, rap lyrics, sociolinguistics, diachronic analysis, language variation, cultural context, linguistic features, Tupac, Jay-Z, 50 Cent.
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