Bachelorarbeit, 2011
30 Seiten, Note: 1,0
1.) INTRODUCTION
2.) THEORTEICALCONSIDERATIONS ON POSTMODERN CONCEPTS OF HISTORY
2.1) Postmodern Theories of History – (De)Constructing Representation, Knowledge and Truth
2.2) Postmodern Concepts of History under Criticism: Postmodernists vs. Traditionalist Historians
3.) ANALYSIS – STRUGGLING WITH FLAUBERT’S PARROT (1984)
3.1) Postmodern Theories of History in Flaubert’s Parrot(1984)
3.1.1) “How do we seize the past?” – The Indeterminacy of (Historical) Knowledge
3.1.2) “What happened to the truth is not recorded” – Unattainable Truth(s) and Multiple Perspectives
3.1.3) “The right words don’t exist” - The Inadequacy of (Linguistic) Representation
3.2) Flaubert’s Parrot – Beyond the Postmodern Crisis of History?
3.2.1) Pre-Postmodern Notions of History and Narrative
3.2.2) Braithwaite’s Post-Postmodern Pursuit(s) of History
4.) CONCLUSION
5.) WORKS CITED
This thesis examines the postmodern crisis of history through the lens of Julian Barnes's novel Flaubert's Parrot. It investigates how the narrator, Geoffrey Braithwaite, engages with the complexities of historical truth and representation, ultimately arguing that despite postmodern skepticism, the pursuit of historical meaning remains a vital and valid human endeavor.
“How do we seize the past?” – The Indeterminacy of (Historical) Knowledge
FP’s narrator appears to share this rather negative view on the limitations and the indeterminacy of historical knowledge. In the course of his engagement with the life and art of the French writer Gustave Flaubert he repeatedly (and often self-consciously) draws the reader’s attention to the contradictory and ambivalent nature of historiography as an agglomeration of historical reconstructions that, in postmodern terms , can never be free from our assumptions about what makes ‘facts’ and what makes ‘history’, and that will therefore always be dependent on subjective accounts:
“How do we seize the foreign past? We read, we learn, we ask, we remember, we are humble; and then a casual detail shifts everything. […] We can study files for decades, but every so often we are tempted to throw up our hands and declare that history is merely another literary genre: the past is autobiographical fiction pretending to be a parliamentary report.” [FP: 136/137]
Yet, Geoffrey Braithwaite feels tempted only “every so often” (ibid.) and not always. As a matter of fact, he seems not only willing to engage with the difficulties and paradoxes involved with studying the past but also prepared for a potential failure. From the beginning onwards the Flaubert-addict is in doubt about the possibility of finding “some ancillary truth” (ibid.: 4) in the leavings of past lives and presents himself as aware of “the question of authenticity” (ibid.: 20), facing the assumption that researching a past life means fishing for facts with nets full of “holes tied together with string” (ibid.: 47) . As he goes on:
1.) INTRODUCTION: This chapter introduces the core research question regarding the postmodern crisis of history and posits that Barnes's novel offers a more nuanced approach than radical deconstructionism.
2.) THEORTEICALCONSIDERATIONS ON POSTMODERN CONCEPTS OF HISTORY: Provides a comprehensive overview of postmodern critiques of historiography, covering Foucault, Lyotard, and Derrida, and contrasts these with traditional historical perspectives.
3.) ANALYSIS – STRUGGLING WITH FLAUBERT’S PARROT (1984): This central section analyzes the novel, demonstrating how the narrator balances his desire for truth with the inherent limitations of language and historical evidence.
4.) CONCLUSION: The author summarizes the findings, reiterating that the pursuit of history is a cathartic and necessary process that persists despite the postmodern awareness of its inherent instabilities.
5.) WORKS CITED: A comprehensive list of the academic sources utilized throughout the thesis.
Postmodernism, Historiography, Julian Barnes, Flaubert's Parrot, Geoffrey Braithwaite, Historical Truth, Narrative, Language, Representation, Deconstructionism, Metafiction, Post-postmodernism, Subjectivity, Authenticity, Identity.
This paper explores the intersection of postmodern literary theory and historical practice as presented in Julian Barnes's novel Flaubert's Parrot.
The main themes include the indeterminacy of historical knowledge, the limitations of language in representing reality, and the human drive to find meaning through personal narrative.
The thesis asks how Barnes's work addresses the postmodern "crisis of history" and whether this engagement leads to total nihilism or a new form of post-postmodern understanding.
The author uses a literary-theoretical analysis of the novel, placing it within the broader discourse of historiographic metafiction and engaging with philosophical concepts from thinkers like Foucault and Lyotard.
The analysis investigates the reliability of the narrator, the significance of the "parrot" metaphor, and the tension between the search for facts and the reality of subjective interpretation.
Key terms include Postmodernism, Historiography, Flaubert's Parrot, Narrative, Subjectivity, and Truth.
The narrator is caught between acknowledging that history is a form of constructed fiction and the profound desire to recover authentic, "true" elements of the past.
The parrot represents the narrator's obsession with locating an authentic voice or truth, while simultaneously illustrating the ultimate impossibility of finding a stable, original meaning through language.
The narrator's search for Flaubert is fundamentally linked to his own personal trauma; his pursuit of the writer acts as a way to process his own grief and search for meaning in his life.
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