Magisterarbeit, 2010
201 Seiten, Note: 1,0
Brand knowledge, visual communication, collages, projective techniques, semiotics, hermeneutics, metaphor analysis, color theory, consumer memory, qualitative research, brand perception, visual representation.
This thesis investigates visually expressed brand knowledge, focusing on how consumers visually represent their understanding of brands and utilizing collages as a research method to access and analyze this knowledge.
The primary objective is to assess visually expressed brand knowledge using collages. The research explores how consumers visually represent their brand understanding and investigates the effectiveness of collages in retrieving and analyzing this knowledge. Key themes include visual representation of brand knowledge, methodology for analyzing collages, the application of semiotics and hermeneutics, interpretation of visual metaphors and color symbolism, and consumer perception and brand understanding.
The research uses collages as a projective technique to gather data on consumers' visual representation of brand knowledge. Data analysis involves several methods: semiotic and hermeneutic analysis to understand the meaning of visual elements; metaphor analysis to interpret the symbolism in the collages; color theory to analyze the meaning of colors used; communication psychology to understand the communication aspects of the collages; and structural analysis to examine the overall composition of the collages. Interviews accompany the collages to provide further insight.
The study draws upon several theoretical frameworks, including consumer memory models, brand knowledge structures, semiotics (the study of signs and symbols), hermeneutics (the theory of interpretation), metaphor analysis, and color theory. These frameworks guide the interpretation of the visual data collected through the collages.
Collages serve as a projective technique, allowing participants to visually express their brand knowledge in a less structured and more revealing way than traditional methods. They provide a rich source of data for analyzing implicit brand associations and understanding how consumers perceive brands visually.
The chapter detailing the empirical study presents findings based on the analysis of the collages and accompanying interviews. The results are categorized by analysis method (metaphor analysis, color theory, communication model, structural analysis), comparing results from the collages and interviews to identify differences in how brand knowledge is expressed through these two methods.
The thesis concludes with a discussion of the managerial implications of the findings, suggesting how businesses can utilize the insights gained to improve their brand strategies. It also outlines potential avenues for future research, indicating areas where further investigation could build upon this work.
The thesis is structured into several key chapters: An introduction outlining the research problem and objectives; a chapter on accessing and retrieving brand knowledge, exploring theoretical foundations and methodologies; a chapter on analyzing visually retrieved brand knowledge, detailing the analytical frameworks; an empirical study chapter presenting data collection, analysis, and results; a discussion chapter; and a conclusion summarizing managerial implications and future research directions.
Brand knowledge, visual communication, collages, projective techniques, semiotics, hermeneutics, metaphor analysis, color theory, consumer memory, qualitative research, brand perception, visual representation.
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