Hausarbeit (Hauptseminar), 2008
46 Seiten, Note: 1,0
This paper delves into the origins and development of reggae music, exploring its deep-rooted connection to Jamaican history, particularly the legacy of slavery, and the impact of Rastafarian beliefs. It aims to provide a comprehensive understanding of the historical, linguistic, and musical factors that shaped reggae, showcasing its enduring influence on music and culture.
Key words and concepts associated with this paper include Jamaican history, slavery, Rastafarianism, reggae music, musical development, language development, Jamaican Creole, Dread Talk, and linguistic analysis.
The history of oppression, cruelty, and the longing for revolt during slavery in Jamaica serves as the foundation for the themes of resistance in Reggae.
It is a specific linguistic dialect used by Rastafarians that alters English to reflect their beliefs, emphasizing concepts like "Inity" (Unity) and "I-and-I".
Jamaican Patois is a Creole blending West African languages and English, characterized by unique phonetic, grammatical, and lexical differences from Standard English.
Rastafarianism provided a spiritual framework, focusing on themes like the superiority of the black race, Black Pride, and the struggle against "Babylon".
Reggae evolved from earlier styles such as Mento, Calypso, Ska, and Rocksteady, influenced by African drumming and North American music.
Bob Marley and Peter Tosh are highlighted as key figures who promoted Reggae globally and integrated political and religious messages into their music.
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