Diplomarbeit, 2012
69 Seiten, Note: 1,3
The primary objective of this thesis is to analyze the economic aspects of digital music distribution for independent music artists. This includes examining the interplay of rights, costs, and the potential market reach for these artists in the digital environment.
The primary focus of this thesis is on the digital distribution of music by independent artists, encompassing topics such as copyright law, economic analysis of costs, market potential, digital rights management, revenue models, and the impact of digitalization on the music industry. Key players in this field include independent artists, labels, aggregators, digital retailers, and collection societies.
Digital distribution allows independent artists to enter the market without a major label, reducing traditional barriers and providing direct access to global retailers like Spotify or Apple Music.
Costs include production, marketing (promotional effort), and distribution fees charged by aggregators or digital retailers, which vary based on distribution intensity and quality.
Aggregators act as intermediaries that deliver music from independent artists to various digital retail platforms and handle the collection of royalties.
The thesis analyzes German copyright law and the impact of Digital Rights Management (DRM) and legal enforcement on an artist's ability to commercially exploit their work.
Yes, digital distribution can increase awareness for less-known artists. The exposure gained can sometimes outweigh the negative effects of likely copyright infringements.
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