Masterarbeit, 2013
87 Seiten, Note: 1,3
Introduction
1. Literary aspects
1.1 Influences of the Bildungsroman
1.1.1 definition
1.1.2 Into the Wild (1996)
1.1.3 The Beach (1997) and Are You Experienced? (1997)
1.2 influences of travel literature
1.2.1 Are You Experienced? - India
1.2.2 The Beach - South-East Asia as Africa
1.2.3 Into The Wild - North America
1.2.3.1 Emerson and Thoreau
1.2.3.2 Jack Kerouac
1.2.3.3 Jack London
1.3 Unreliable Narration
1.3.1 definition
1.3.2 Richard in The Beach
1.3.3 Dave in Are You Experienced?
2. Cultural aspects
2.1 Escape through travel
2.1.1 the construction of authenticity in The Beach and Are You Experienced?
2.1.2 the hyper-real of The Beach
2.1.3 Terra incognita in Into The Wild and Lonely Planet in The Beach and Are You Experienced?
2.2 Escape into Drugs
2.2.1 cannabis as familiar patterns of consumption in The Beach
2.2.2 cannabis as a sign of civilization in Are You Experienced?
2.3 Danny Boyle’s The Beach (2000)
2.3.1 adaptation – book vs. movie
2.3.2 the visualization of paradise
2.3.3 the ending
2.4 Sean Penn’s Into The Wild (2007)
2.4.1 politics and the aesthetics of ‘indie’ cinema
2.4.2 structure, voice and literary influence
2.4.3 moral ambiguity
Conclusion
This work investigates the motif of escapism in selected contemporary literature and film, specifically analyzing how Alex Garland, William Sutcliffe, and Jon Krakauer portray the desire to flee from modern consumerist society. The study explores the intersection between the literary traditions of the Bildungsroman, travel writing, and the psychological concept of the unreliable narrator to demonstrate how these narratives reflect modern cultural malaise and the search for authentic selfhood.
1.1.2 Into The Wild (1996)
In Into The Wild, author and journalist Jon Krakauer tells the story of Christopher McCandless, a 24-year old young man from an affluent American middle-class family who, after graduating from college, abandoned all his possessions, donated his college-fund savings to Oxfam and left home to embark on a two year odyssey across North America. McCandless had his mind firmly set on hiking to Alaska, where he intended to live off the land and escape the excesses of modern consumer society. There, in a derelict bus in the midst of the wilderness, he was found death four months later. The case became widely known across the US when Krakauer first covered it in the January 1993 issue of Outside magazine. He later decided to expand the story and began to gather detailed information on McCandless’ background. He questioned his family as well as numerous people across America who met him and had, in one way or another, grown attached to the boy.
Krakauer furthermore enriched the story with other known cases of social dropouts who got lost in the great outdoors of the American landscape and even added a chapter on his own experiences as a young mountaineer. The result is a piece of investigative journalism that falls under the category of ‘creative non-fiction’ where factual information is mixed with speculation and augmented with narrative embellishments to make it read like a novel. In the author’s note, Krakauer admits to this creative freedom, stating that “I won’t claim to be an impartial biographer” and that “McCandless’s strange tale struck a personal note that made a dispassionate rendering of the tragedy impossible” (ITW, x).
1. Literary aspects: This chapter establishes the theoretical background by examining the influence of the Bildungsroman genre and travel literature traditions on the selected works.
2. Cultural aspects: This section investigates broader themes such as the pursuit of authenticity, the role of substance abuse as a coping mechanism, and a comparative analysis of the film adaptations.
Escapism, Bildungsroman, Backpacker Fiction, Into The Wild, The Beach, Are You Experienced, Travel Writing, Authenticity, Unreliable Narration, Cultural Critique, Hyper-reality, Wilderness, Jon Krakauer, Alex Garland, William Sutcliffe
The work examines the motif of escapism in modern backpacker literature and film, focusing on how individuals attempt to flee from modern society and the consequences of these journeys.
The study centers on Alex Garland’s novel The Beach, William Sutcliffe’s Are You Experienced?, and Jon Krakauer’s Into The Wild, alongside their film adaptations.
The goal is to analyze how these narratives address the desire for self-fulfillment and the inherent conflicts between individual ideals and societal demands.
The work employs literary analysis, comparing texts to established genres like the Bildungsroman, and utilizes narratological tools such as the study of unreliable narration.
It covers literary foundations, the role of drugs, the construction of authenticity, and a comparative analysis of the film adaptations by Danny Boyle and Sean Penn.
Key themes include the clash between the 'traveler' and 'tourist', the construction of reality, the impact of colonialism, and the psychological implications of escapism.
The author views McCandless's journey as a moral quest that resembles a Bildungsroman, where the protagonist attempts to achieve spiritual education, though his ultimate return is tragically prevented.
It is crucial because the protagonists in the analyzed novels often provide distorted accounts of their experiences, which reveals their internal struggles and self-deception.
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