Masterarbeit, 2006
100 Seiten, Note: 80
1. Acknowledgements
2. Introduction: “Far at sea”
3. The “Devine Providence”: The Irish Servant Girl and Religion
4. “Morning makes you look prettier”: The Irish Servant Girl and Gender
5. Reinforcing Stereotypes: The Irish Servant Girl, Class and Ethnicity
6. Conclusion: “Success, slow but sure”
This thesis examines the representation of nineteenth-century Irish immigrant women who worked as domestic servants in North America. By analyzing three selected novels, the research explores how the protagonists navigate the challenges of their new environment while maintaining or negotiating their identity in relation to religious, social, and cultural frameworks.
Arriving in the New World as an Irish immigrant girl
The number of female and male Irish immigrants was unequal. According to Alan Brinkley “[m]any Irish immigrants were young, single women.” This statement raises many questions which Brinkley unfortunately does not answer. According to the sources there could be various reasons for the vast number of female Irish immigrants. For example Donna Gabaccia argues that “[g]iven a high degree of gender hostility in Irish culture, Irish women weighed wage-earning spinsterhood and convent life against marriage and sometimes found the latter too risky.” In other words, for some of these girls the escape to America meant their own individual freedom from the patriarchal Irish society they were born into. Social scientist Robert E. Kennedy comes with a similar conclusion, arguing that women in Ireland were subjected to discrimination. Sons were treated better than daughters; for example sons were given more food. He explains: “Daughters would have been unaware of these indices, but they were not unaware of their low status vis-à-vis their brothers and of their future low status as wives …. The uncommonly high number of single women in the Irish immigration may be seen as an early Women’s Liberation Movement.”
After arriving in America Irish immigrant girls usually had two work options. Either they became factory workers or they became domestic servants. Factory work was often very hard labor. The factories were dirty, dangerous and the women were often badly paid. Many factories held “piecework systems”, which meant that the women were paid for every item of, for example, clothing they finished. Mathew Carey writes about factories in Boston and New York where these practices were standard: “They [Irish women] were paid between 6-10 cents a shirt and worked about 13-14 hours a day. Since they could only make nine shirts a week, the maximum pay was about 90 cents a week.”
1. Acknowledgements: A brief expression of gratitude to the supervisor for guidance and patience during the writing process.
2. Introduction: “Far at sea”: An overview of the historical context of Irish migration, highlighting the socio-economic conditions in Ireland and the challenges faced by immigrants in America.
3. The “Devine Providence”: The Irish Servant Girl and Religion: An analysis of how religious faith functions as a moral compass and a source of strength for the female protagonists in the chosen novels.
4. “Morning makes you look prettier”: The Irish Servant Girl and Gender: An exploration of how gender norms and societal expectations shape the lives, work experiences, and interpersonal relationships of Irish servant women.
5. Reinforcing Stereotypes: The Irish Servant Girl, Class and Ethnicity: An examination of the intersection between class mobility, ethnic identity, and the various stereotypes imposed upon Irish immigrants in North American society.
6. Conclusion: “Success, slow but sure”: A final synthesis of the findings, reflecting on the common patterns of growth and the unique narrative styles of the three authors in depicting the immigrant experience.
Irish immigrants, domestic servants, nineteenth-century literature, Catholic faith, gender roles, social mobility, Famine generation fiction, North America, assimilation, identity, patriarchy, stereotype, Mary Anne Madden Sadlier, John McElgun, Margaret Atwood
The research focuses on the representation of young, nineteenth-century Irish immigrant women who worked as domestic servants in North America, as portrayed in three specific literary works.
The study analyzes Mary Anne Madden Sadlier’s "Bessy Conway; or, the Irish girl in America", John McElgun’s "Annie Reilly: The Fortunes of an Irish Girl in New York", and Margaret Atwood’s "Alias Grace".
The goal is to analyze the heroines and their environment in relation to religion, gender, class, and ethnicity, and to determine how these aspects affect the characters' behavior and development.
The thesis employs literary analysis, using historical context and feminist theory to interpret the representation of the protagonists and the overarching themes of the novels.
The main body examines the role of religious faith, the influence of gender dynamics and female independence, and the impact of socio-economic class and ethnic identity on the Irish immigrant experience.
Key terms include Irish immigration, domestic service, Famine fiction, gender, religion, class, ethnicity, and assimilation.
The author categorizes these as "Famine generation fiction," which are typically written for practical and didactic purposes to guide Irish emigrants.
Atwood's "Alias Grace" is described as a modern or postmodern account that avoids a clear moralizing or didactic tone, focusing instead on multiple perspectives and intertextuality.
It serves as the thematic anchor, investigating whether the heroines truly gain autonomy or if they remain constrained by patriarchal structures and moral expectations of their time.
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