Bachelorarbeit, 2014
34 Seiten, Note: 82%
This dissertation examines the ultras, a group of passionate football fans, through the lens of community of practice, artistic expression, and political engagement. It investigates whether their elaborate displays and performances can be classified as a form of craft, exploring similarities to the craftivist movement. The study also analyzes the political dimensions of the ultras, considering the role of antagonism in political discourse and the potential for their actions to be viewed as artistic practice.
Chapter 1 delves into the identity of the ultras, exploring whether they form a community of practice. It examines the shared repertoire and public events that characterize their activities. Chapter 2 compares the ultras to the craftivist movement, highlighting similarities in their practices and objectives. The chapter also discusses the notion of 'home' within the context of football and the re-evaluation of private spaces. Chapter 3 focuses on the political nature of the ultras, analyzing their opposition to authority and the significance of antagonism in their discourse. Chapter 4 investigates whether the ultras can be considered artists, drawing on concepts of dialogical aesthetics and the role of dialogue-based artistic interventions.
This dissertation examines the following keywords: ultras, football fandom, community of practice, craftivists, home, political engagement, antagonism, artistic practice, dialogical aesthetics.
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