Bachelorarbeit, 2013
49 Seiten, Note: B
Part One
Introduction
The structure of Wuthering Heights (novel)
Narrative structure
Perspectives
The plot of the novel
Structure of Wuthering Heights (film 2009)
Part Two
Sequence analysis: Sequence One
Sequence analysis: Sequence Two
Conclusion from sequence analysis: One and Two
Part Three
Female Characters: a close up on Catherine and Isabella
Conclusion on the Female Characters
The sense of coldness and loneliness both in novel and film
Conclusion
Additional information for the actors
Charlotte Riley
Rebecca Night
Rosalind Halstead
Sarah Lancashire
Tom Hardy
Andrew Lincoln
Tom Payne
This academic paper examines Emily Brontë's nineteenth-century novel Wuthering Heights and its 2009 film adaptation by Coky Giedroyc. The primary objective is to analyze the differences in storytelling modes between the novel and the film, focusing on narrative structure, character development—specifically the female protagonists Catherine and Isabella—and the representation of atmosphere, such as coldness and isolation, to determine how faithfully the adaptation captures the essence of the original work.
The sense of coldness and loneliness both in novel and film
Throughout the whole novel the sense of coldness and loneliness is present .Both reader and spectator can feel the chill of Wuthering Heights, its darkness and isolation. The interior décor of the house is unwelcoming with no decoration and no sign of the presence of women. Right from the first chapter page 3 line 4, ‘‘In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society”, from Lockwood’s description it becomes clear that Wuthering Height is an isolated and solitary place. This solitude is emphasized in the novel from the first chapter. Likewise, in the film, several of the shots are dedicated to the solitary aspect of the house. As I have said earlier, in the analysis of the first sequence, the notion of loneliness and coldness is represented by a long shot on the house. The house stands alone in a bare field where one imagines winds chase one another. It is dark and spooky. The immediate chill can be felt by the spectator once he or she has had a look at it.
Part One: Provides an introduction to the comparative analysis, examines the distinct narrative structures of the novel and the film, and details the five-phase plot structure of the source material.
Part Two: Presents a detailed sequence analysis of two key scenes in the 2009 film, focusing on cinematic techniques such as camera angles, sound, and color to convey atmosphere and character emotion.
Part Three: Offers a feminist reading of the female protagonists, Catherine and Isabella, while discussing the recurring themes of coldness and isolation that define the gothic atmosphere of both the book and the film.
Wuthering Heights, Emily Brontë, Coky Giedroyc, film adaptation, narrative structure, gothic literature, Catherine Earnshaw, Isabella Linton, Heathcliff, female protagonists, feminism, cinematic analysis, sequence analysis, atmosphere, isolation.
The paper focuses on comparing the narrative and thematic elements of Emily Brontë's novel Wuthering Heights with the 2009 TV film adaptation directed by Coky Giedroyc.
The study explores themes of narrative structure, gothic atmosphere, female autonomy within nineteenth-century society, and the use of cinematic techniques to mirror literary devices.
The goal is to understand how the medium of film transforms the novel's storytelling, specifically regarding the retention of its characters, themes, and emotional atmosphere.
The author employs a comparative analysis, incorporating structuralist approaches to narrative theory and a close sequence analysis of filmic techniques (camera shots, lighting, sound).
It covers the structure of both the novel and the film, analyzes two specific film sequences, explores the roles of female characters through a feminist lens, and discusses the symbolism of coldness and the moors.
Key terms include Wuthering Heights, adaptation, narrative structure, gothic, Catherine, Isabella, feminism, atmosphere, and cinematic analysis.
The film abandons the dual-narrator perspective of Mr. Lockwood and Nelly Dean, instead opting for a more direct, dynamic, and action-oriented presentation suited for a modern audience.
The moors are identified as a crucial symbol for danger, wildness, and the characters' longing for freedom, acting as a site where Catherine and Heathcliff feel "at home" despite the inherent environmental dangers.
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