Bachelorarbeit, 2001
22 Seiten, Note: 2:2
1. Introduction
2. Background
3. Literature Review
4. Method
5. Results
6. Interview
7. Content & Textual Analysis
8. Conclusion
This study aims to examine the controversial nature of the television series 'Queer as Folk' by investigating whether its content challenged contemporary television standards and if it reflected a genuine liberalisation of societal attitudes toward homosexuality. The research explores the construction of the show, its impact on public discourse, and the reception of its portrayal of gay life.
Introduction
There have been times in television history where certain programmes have tackled society’s taboos in a particularly vivid way by coming to fruition at sometimes sensitive times. For example the controversial topic of the sixties was of immigration and the media's double edged ability both inflamed public opinion through newsprint and reflected their concerns through controversial comedy sitcoms such as 'Love Thy Neighbour' and 'Bless This House' which both dealt with the then taboo of race. As within any cultures what is deemed acceptable and unacceptable changes over time and so it could be said that Queer as Folk (QAF) is a nineties' equivalent of such shows.
Homosexuality is arguably one of the last remaining taboos in many cultures and one that dominates the topic of social change, particularly in the West. This notion of taboo was blatantly challenged when the first episode involved consensual gay sex between an adult and a 15-year-old. Much has been said on this topic in recent years as society’s views have gradually liberalised, as the traditional societal unit, marriage, has fallen into terminal decline. In this context the new Labour government has, since taking office in 1997 attempted to introduce several equality laws, most significantly equalising the age of consent and the repeal of section 28 that disallows the 'promotion' of homosexuality in schools.
Introduction: Provides the contextual framework by comparing 'Queer as Folk' to previous controversial television programs and highlighting the political climate surrounding LGBTQ+ rights in the 1990s.
Background: Outlines the research aims, specifically focusing on a communication studies analysis of the show's industry impact and the methodologies used to gather data.
Literature Review: Evaluates academic texts related to qualitative methodologies and existing discourses on television analysis to position the research within the communication field.
Method: Details the research design, including the use of surveys and sampling among targeted groups, and reflects on the challenges of investigating a sensitive social topic.
Results: Presents the quantitative findings from the questionnaires and discusses the demographic response and viewer identification with the characters.
Interview: Summarizes an exclusive interview with creator Russell T. Davies, offering insights into the production rationale and his perspective on the critical and public reaction.
Content & Textual Analysis: Briefly examines the technical elements and narrative techniques in the opening of the show that contributed to its controversial reception.
Conclusion: Reflects on the overall research experience and suggests that the series acted as a catalyst for important societal discussions despite the initial outrage.
Queer as Folk, Television, Homosexuality, Controversy, Communication Studies, Media Analysis, Public Opinion, Social Liberalization, Russell T. Davies, Representation, Qualitative Research, Surveys, Section 28, Cultural Taboo, Broadcasting
The research investigates the controversy surrounding the TV series 'Queer as Folk', analyzing why it was perceived as radical and what its reception reveals about homophobia and changing societal attitudes.
Key themes include the representation of homosexuality in media, the role of television in social change, public reaction to provocative content, and the influence of political policy on drama.
The primary goal is to determine if the controversy generated by the show was merely a result of shock tactics or a legitimate response to the challenging of societal taboos during a period of legislative change.
The author employs a mixed-methods approach, combining literature review, communication studies, textual analysis, and a survey sample of 20 respondents alongside an expert interview with the series creator.
The body covers the historical context of the show, a literature review of relevant media theory, the methodology of data collection, presentation of results, and an analysis of the production rationale via an interview.
Primary keywords include Television, Queer as Folk, Homosexuality, Controversy, Social Liberalization, and Communication Studies.
The author targeted a specific group of individuals with an interest in the show or LGBTQ+ issues to ensure the relevance and quality of the feedback, acknowledging the inherent bias of this approach.
The interview provides an authoritative insider perspective on the production, explaining the intent behind the series and the creator's view on media backlash and industry standards.
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