Masterarbeit, 2010
140 Seiten, Note: With Distinction
Chapter 1: Introduction
1.1. Venturing Out on the Buses
1.2 Context and Social Significance: Research Particularities and Performance Conditions
1.3 Methodological Approaches and Ethics
1.4 Ethnographic and Theoretical Background
1.5 Research Questions
1.6 Chapter Outline
Chapter 2: Spatio-Temporal Dimensions of Rebusque
2.1 The Space of the Bus within Urban and Public Spatialities
2.2 Pursuing and Getting on the Bus: Time and Relations with Bus Drivers
2.3 Relationships Between Bus Riders and Rebusque Workers
Chapter 3: Rebusque on the Buses is for More than Monetary Gain: Informal Workers Acting Against Conventional Misperceptions of their Work
3.1 Challenging the Criminality Perception
3.2 Challenging Widespread Misconceptions of Deceit and Lack of Hygiene in Rebusque
3.3 Addressing Conflicting Ideas of Rebusque as a Form of Work
Chapter 4: Beyond Monetary Gain: Rebusque on the Buses as Social Critique
4.1 Bus Performances as Informal Workers’ Expressions of Social Critique
4.2 Moral Economies and Bus Rebusque: Social Expectations for the State, and Workers who Want Formal Employment
4.3 Recent Neoliberal Labour Reform and State Interventions: Changing the Meanings of Formal and Informal Sectors
Chapter 5: Neoliberalism and Expressions of “Self-Reliance” and “Resilience” as negotiated through the Social Relations of Solidarity in Bus Rebusque
5.1 Solidarity as Emergent from People’s Shared Conditions across Colombian Space and Time
5.2 Solidarity as Shaped by Nationalist Sentiments Evoked in Rebusque
5.3 Religious Beliefs as Sources of Solidarity in Rebusque
Conclusions and Suggestions for Further Research Ill
References
Rebusque refers to informal self-employment where workers, such as street peddlers or buskers, forge their own jobs to make a living in a precarious economic environment.
Performers use the bus as a stage to challenge negative perceptions of their work, offer social critiques, and build solidarity with drivers and passengers through shared cultural and religious values.
Informal workers often express dissatisfaction with the country's socio-economic order and neoliberal reforms, using their performances to voice aspirations for a more just moral economy.
Solidarity from passengers and drivers, rooted in shared nationalist and religious beliefs, allows performers to earn a peaceful living and counter perceptions of criminality or deceit.
Many are internal refugees from rural violence in Colombia who turn to informal urban work as a form of self-reliance and social agency.
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