Fachbuch, 2012
94 Seiten, Note: 71/100
This study explores the lives and careers of two prominent Liverpool artists, Edward Carter Preston and Herbert Tyson Smith, and their contributions to the city's artistic landscape. The work aims to provide a comprehensive understanding of their individual artistic practices, their family connections, and the broader context of Liverpool's artistic development during the late 19th and early 20th centuries.
The first chapter provides a historical overview of the artistic context in Liverpool during the period of the artists' lives, highlighting the emergence of a vibrant artistic scene and the establishment of the Liverpool School of Applied Arts. Chapter two delves into the family backgrounds of the artists, tracing their lineage and exploring the influences that shaped their artistic development. Chapter three presents detailed biographies of Edward Carter Preston and Herbert Tyson Smith, examining their individual careers and artistic achievements. Chapter four features case studies of two significant projects undertaken by the artists: Edward Carter Preston's work on the Liverpool Cathedral and Herbert Tyson Smith's contributions to the Martins Bank Building. Finally, chapter five explores the relationship between architecture and sculpture in Liverpool, analyzing the role of sculpture in the city's architectural landscape.
This study focuses on the key themes of artistic development, family connections, architectural sculpture, and the artistic landscape of Liverpool. It examines the careers of Edward Carter Preston and Herbert Tyson Smith, two prominent artists who made significant contributions to the city's artistic heritage. The study also explores the relationship between architecture and sculpture in Liverpool during a period of significant growth and change.
They were two of Liverpool's most important sculptors and artists, active from the late 19th to the mid-20th century, significantly shaping the city's visual culture.
The study provides a detailed analysis of Edward Carter Preston's sculptures and contributions to the Anglican Cathedral as a prime example of architectural decoration.
It was central to the emergence of "Artistic Liverpool," providing a training ground for architects and artists who combined sculpture with modern steel-framed buildings.
The study notes that the artistic family trees ended after the grandchildren's generation, with none of them becoming professional sculptors or artists.
From 1880 to 1950, Liverpool saw a "Beaux Arts" movement where sculptures and architectural decorations were integral to the design of major commercial and religious buildings.
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