Forschungsarbeit, 2013
68 Seiten, Note: 5.0
1. Introduction
2. Chapter One
3. Chapter Two
4. Chapter Three
5. Conclusion
This work explores the origins, evolution, and psychological depth of the Gothic literary genre, specifically focusing on its impact on Edgar Allan Poe. It investigates how European Gothic conventions were interpreted and adapted within American literature, analyzing the recurring themes of the uncanny, the sublime, and the psychological decay of characters in both classical and modern Gothic narratives.
The Tell-Tale Heart
True! – nervous - very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses - not destroyed - not dulled them. Above all was the sense of hearing acute. I heard all things in the heavens and in the earth. I heard many things in hell. How, then, am I mad?
[...]
Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded - with what caution - with what foresight - with what dissimulation I went to work! I was never kinder to the old man than during the whole week before I killed him.
Introduction: This chapter introduces the core concepts of the horror genre and the Gothic, establishing the framework for examining Edgar Allan Poe's influence and the complex psychological nature of his works.
Chapter One: This section investigates the architectural and literary origins of the "Gothic" term, exploring the roles of the sublime and the uncanny in shaping the genre's aesthetic and historical foundations.
Chapter Two: This chapter provides an overview of key European and American Gothic practitioners, highlighting their distinct contributions to the genre and the influence of their literary traditions on subsequent writers.
Chapter Three: This chapter is dedicated to Edgar Allan Poe, analyzing how he integrated and expanded upon Gothic traditions, particularly through his psychological exploration of the narrator's state of mind in tales like The Tell-Tale Heart and The Fall of the House of Ushers.
Conclusion: The final chapter reflects on Poe's unique role in consolidating the American Gothic, synthesizing how he mastered existing techniques to create a new, modern branch of horror literature.
Gothic, Gothicism, Horror, Sublime, Uncanny, Edgar Allan Poe, Transcendentalism, Psychological Horror, Romanticism, The Double, Doppelgänger, Narrative Techniques, Transgression, Perversion, Gothic Revival.
The work focuses on the evolution of the Gothic genre, its transition from European traditions to American contexts, and how Edgar Allan Poe specifically revolutionized the genre through his psychological and stylistic innovations.
The central themes include the psychological effects of fear, the concept of the uncanny, the role of the sublime, the exploration of madness, and the struggle between reason and the subconscious.
The author seeks to determine the extent to which Edgar Allan Poe was influenced by his Gothic predecessors and how his own works, in turn, shaped the American Gothic genre as it is understood today.
The work utilizes a comparative literature approach, integrating psychoanalytic theories—most notably those of Sigmund Freud and Carl Jung—to interpret the symbolic and psychological elements within the chosen short stories.
The main body examines the historical origins of Gothic architecture and literature, evaluates key writers like Horace Walpole and Ann Radcliffe, and provides a critical analysis of specific Poe short stories to illustrate his mastery of Gothic conventions.
The study is characterized by keywords such as Gothicism, the sublime, the uncanny, the double, madness, and psychological narrative techniques.
The author argues that the narrator represents a highly disturbed, paranoid personality, whose perceived coherence is a manifestation of his insanity, ultimately highlighting the internal nature of modern horror.
The author explores the intense, near-mystical bond between Roderick and Madeline Usher, suggesting that their identity as twins and their shared degeneration reflect the Gothic theme of the mirrored self and hereditary doom.
Der GRIN Verlag hat sich seit 1998 auf die Veröffentlichung akademischer eBooks und Bücher spezialisiert. Der GRIN Verlag steht damit als erstes Unternehmen für User Generated Quality Content. Die Verlagsseiten GRIN.com, Hausarbeiten.de und Diplomarbeiten24 bieten für Hochschullehrer, Absolventen und Studenten die ideale Plattform, wissenschaftliche Texte wie Hausarbeiten, Referate, Bachelorarbeiten, Masterarbeiten, Diplomarbeiten, Dissertationen und wissenschaftliche Aufsätze einem breiten Publikum zu präsentieren.
Kostenfreie Veröffentlichung: Hausarbeit, Bachelorarbeit, Diplomarbeit, Dissertation, Masterarbeit, Interpretation oder Referat jetzt veröffentlichen!

