Bachelorarbeit, 2003
40 Seiten, Note: 1,7 (A-)
This thesis explores the representation of gender conflicts in the dramas of Tennessee Williams, focusing on the plays "A Streetcar Named Desire" and "Cat on a Hot Tin Roof." The main objective is to examine how these conflicts are rooted in the cultural and societal context of the American South, particularly in relation to established gender roles and their impact on characters' relationships and choices.
This thesis explores the intersection of gender, culture, and conflict in the dramas of Tennessee Williams. Key themes include the influence of Southern culture and identity, traditional gender roles, the exploration of sexuality, including homosexuality, and the portrayal of both male and female characters navigating societal expectations.
Williams used many autobiographical elements, such as his Puritan upbringing, his boisterous father, and his own homosexuality, to shape his characters and themes.
The South's cultural identity, heat, social classes, and patriarchal structures provide the essential backdrop for the gender conflicts in his works.
The play explores conflicts between traditional femininity (Blanche) and brutal masculinity (Stanley), as well as the struggles of women within patriarchal structures.
The relationship between Brick and Skipper serves as a central source of conflict, affecting Brick's marriage with Maggie and his relationship with Big Daddy.
His work frequently dealt with themes then considered perverse, such as nymphomania, promiscuity, and sexual deviation, challenging societal norms of the time.
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