Magisterarbeit, 2013
53 Seiten, Note: 1,7
This thesis analyzes the film Office Space by Mike Judge as a case study for the complexities of postmodern work and identity formation. The film’s satirical portrayal of office life, specifically within a corporate setting, is examined through the lens of sociological theories on postmodernism, individualization, and the flexibilization of labor.
This thesis delves into the critical themes of postmodern work, identity formation, and the complexities of individualization in a globalized and technologically advanced society. It explores the impact of bureaucratic structures, the flexibilization of labor, and the search for meaning in a rapidly changing world. Key concepts include postmodern insecurity, identity-work, social disembedding, and the role of social networks in providing stability for individuals in a world marked by uncertainty and change.
The film parodies corporate management, the flexibilization of labor, and the disorientation caused by bureaucratic systems in late 20th-century workplaces.
It refers to the loss of traditional social ties and the resulting drift and disorientation individuals face in modern, automated work environments.
Cubicles are analyzed as metaphors for fragmentation, alienation, and the dynamics of power and control within the postmodern workplace.
The stapler represents the search for individual autonomy and resistance against dehumanizing corporate structures.
Identity-work is the process by which individuals attempt to narrate their own lives and find purpose despite the pressures of automation and unemployment fears.
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