Bachelorarbeit, 2013
36 Seiten, Note: 1.3
This thesis aims to investigate the complex and ambiguous position of Katherine Mansfield within the literary canons of both New Zealand and Great Britain. It explores the influence of her colonial upbringing on her writing and examines the extent to which her stories resonate with both New Zealand and British literary traditions.
The introduction provides biographical context for Katherine Mansfield's life and work, highlighting her unique position as a writer who straddled both New Zealand and British literary traditions. It also introduces the central question of the thesis: whether Mansfield should be considered a New Zealand or British author.
Chapter II explores the influence of colonialism on Mansfield's identity and writing. It examines the challenges of categorizing her work within either the New Zealand or British canon and argues that her colonial background is essential to understanding her writing.
Chapter III focuses on an analysis of Mansfield's New Zealand stories. It delves into the linguistic, thematic, and stylistic elements that connect her work to the New Zealand literary tradition. This chapter also examines the reception of Mansfield's work within New Zealand and the postcolonial re-workings of her stories.
This thesis explores the key themes of colonialism, identity, literary canon, New Zealand literature, British literature, Modernism, postcolonialism, and short story writing. It examines Katherine Mansfield's work through these lenses, offering insights into her ambiguous position within national literary traditions.
Situating Mansfield is complex; she is often included in both canons. Her writing shows attributes of the European Modernist tradition but remains deeply rooted in her New Zealand colonial upbringing.
Mansfield often felt like a "divided self." Her colonial background provided a unique perspective that allowed her to critique the Empire while still feeling a connection to "home" in both countries.
Her New Zealand stories often explore childhood, family dynamics, social class, and the specific landscape and linguistic nuances of her homeland.
Mansfield was a pioneer of the short story form, using stream of consciousness and focus on interiority, which placed her at the heart of the Modernist movement alongside writers like Virginia Woolf.
Modern postcolonial interpretations analyze her work through the lens of power dynamics and identity, re-evaluating her place in the New Zealand literary tradition as a voice of the colonial experience.
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