Combining photography with painting in theory and practice. New forms of representation

Table of Contents

• List of Illustrations
• Abstract
• Synopsis
• Chapter 1 Methodology
• Chapter 2 The role of the photograph
• Chapter 4 The relationship of theory to practice
• Chapter 5 Images and evaluation
• Chapter 6 Conclusion (evaluation & outcomes)
• Bibliography

Objectives and Key Themes

This research portfolio explores the intersection of photography and painting, aiming to demonstrate how these mediums can be effectively combined to create a unique and compelling artistic vision. The work investigates the role of photography as a source of inspiration and reference, examining how photographic imagery can inform and influence the creative process in painting.

• The relationship between photography and painting
• The use of photographic imagery in painting
• The influence of photographic aesthetics on artistic practice
• The role of theory in informing artistic practice
• The evaluation of artistic outcomes

Chapter Summaries

• Chapter 1 Methodology: This chapter outlines the research methodology employed in the portfolio, exploring the theoretical frameworks and practical approaches used to investigate the relationship between photography and painting. It discusses the research questions and the methods of data collection and analysis.
• Chapter 2 The role of the photograph: This chapter delves into the significance of photography as a source of inspiration and reference for painting. It examines historical examples of artists who have incorporated photographic imagery into their work, exploring the different ways in which photography has influenced artistic practice.
• Chapter 4 The relationship of theory to practice: This chapter explores the connection between theoretical frameworks and practical artistic practice. It examines how theoretical concepts and ideas can inform and guide the creative process, demonstrating how theory can be applied to the combination of photography and painting.
• Chapter 5 Images and evaluation: This chapter presents a selection of the artist's own work, showcasing the practical outcomes of the research. It discusses the artistic decisions made in the creation of these images and provides a critical evaluation of the work, reflecting on its strengths and weaknesses.

Keywords

This research focuses on the intersection of photography and painting, exploring the role of photographic imagery in artistic creation. Key concepts include the influence of photographic aesthetics on artistic practice, the relationship between theory and practice, and the evaluation of artistic outcomes. The work also draws upon historical examples of artists who have incorporated photography into their work, examining the various ways in which these mediums have influenced each other.