Bachelorarbeit, 2016
41 Seiten
This paper aims to compare the notions of nature and transcendence in the essays of Ralph Waldo Emerson and the poetry of Mary Oliver. It investigates whether similarities or differences exist in their perspectives on these concepts. The scope is limited to selected essays by Emerson and poems by Oliver to manage the research within the confines of a bachelor's thesis.
Introduction: This introductory chapter sets the stage for the comparative analysis of Emerson and Oliver's works. It establishes the research question concerning the similarities and differences in their perspectives on nature and transcendence. The chapter explains the limitations of the scope, focusing on selected essays by Emerson ('Oversoul', 'Nature', 'The Methods of Nature', and 'Self-Reliance') and poems from three of Oliver's books ('Swan', 'Why I Wake Early', and 'Wild Geese'). The introduction also provides background information on Transcendentalism and its historical context, highlighting Emerson's role in defining the movement, and briefly introduces Mary Oliver and the diverse interpretations of her poetry. Finally, the introduction outlines the structure of the thesis, providing a roadmap for the subsequent chapters.
Emerson's Transcendental Philosophy: This chapter delves into the core tenets of Emerson's transcendental philosophy, establishing a foundational understanding for the subsequent comparative analysis. It explores Emerson's concept of transcendence, explaining how it relates to the "deep silent ground of the totality of existence," a divine source from which all things emanate. The chapter examines Emerson's definition of nature, highlighting its multifaceted connotations within his works, and emphasizes the interconnectedness of nature, man, and the divine. Emerson’s understanding of God is clarified as being distinct from traditional religious conceptions, instead emphasizing a pervasive divine presence within all existence, rather than a separate controlling entity. The chapter concludes by examining man's place within this framework, highlighting the duality of the physical body within the "process universe" and the transcendent soul.
Mary Oliver's Poetry: This chapter analyzes selected poems by Mary Oliver, categorized thematically into "nature" and "transcendence." It begins with an introduction to Oliver's unique poetic style, setting the context for the analysis. The chapter then explores how Oliver uses natural imagery to convey her perspective on nature, examining the potential meanings beyond simple eco-ethics. Furthermore, it investigates how her work depicts transcendence, comparing her expressions of the spiritual or divine with Emerson's ideas. This section aims to highlight both the similarities and differences between the two authors' perspectives on nature and transcendence. A critical examination of Oliver's use of religious or spiritual vocabulary, such as God, soul, and prayer, within her natural imagery is a key element of this chapter.
Transcendentalism, Ralph Waldo Emerson, Mary Oliver, Nature, Transcendence, American Literature, Spiritualism, Poetry, Essays, Comparative Analysis, God, Soul, Process Universe.
This paper compares the concepts of nature and transcendence as presented in the essays of Ralph Waldo Emerson and the poetry of Mary Oliver. It aims to identify similarities and differences in their perspectives on these key themes.
The analysis focuses on selected essays by Emerson ("Oversoul," "Nature," "The Methods of Nature," and "Self-Reliance") and poems from three of Mary Oliver's books ("Swan," "Why I Wake Early," and "Wild Geese").
The paper aims to explore Emerson's transcendental philosophy and its understanding of transcendence, examine Emerson's conception of nature, analyze the portrayal of nature and transcendence in Mary Oliver's poetry, conduct a comparative analysis of their perspectives, and investigate the relationship between man, nature, and the divine in both authors' works.
Emerson's transcendence relates to a "deep silent ground of the totality of existence," a divine source. His conception of nature is multifaceted, emphasizing the interconnectedness of nature, man, and the divine. God, for Emerson, is a pervasive presence within all existence, not a separate entity.
Oliver uses natural imagery to convey her perspective on nature, exploring meanings beyond simple eco-ethics. Her work depicts transcendence through expressions of the spiritual or divine, which are compared and contrasted with Emerson's ideas. The analysis examines her use of religious or spiritual vocabulary (God, soul, prayer) within her natural imagery.
The paper includes an introduction establishing the research question and scope, a chapter on Emerson's transcendental philosophy, a chapter analyzing Mary Oliver's poetry, and a concluding chapter. The introduction also provides background information on Transcendentalism and Mary Oliver.
Key themes include Transcendentalism, Emerson's philosophy, Oliver's poetry, nature, transcendence, the relationship between man, nature, and the divine, and a comparative analysis of the two authors' perspectives.
The scope of the research is limited to selected essays by Emerson and poems by Oliver, reflecting the constraints of a bachelor's thesis.
Transcendentalism, Ralph Waldo Emerson, Mary Oliver, Nature, Transcendence, American Literature, Spiritualism, Poetry, Essays, Comparative Analysis, God, Soul, Process Universe.
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