Masterarbeit, 2015
76 Seiten, Note: 1,7
This paper examines the tension between secular modernity and religious tradition in postcolonial Tunisia, focusing on the controversial ban on the Islamic veil. It critiques the notion of a universal secular paradigm, arguing that it fails to account for the diverse experiences and realities of non-Western societies.
This paper focuses on the key themes of secular modernity, religious tradition, Islam, Tunisia, the Islamic veil, postcolonialism, neo-secularism, postmodernism, and the critique of universalism. It explores the impact of Western modernity on non-Western cultures and the challenges of navigating a secular age in a religiously diverse world.
The paper examines the tension between secular modernity, promoted by the Tunisian elite, and religious traditions, specifically focusing on the ban of the Islamic veil.
Postcolonial scholars argue that this Western-centric model negates non-Western histories and philosophies, acting as a hegemonic model of modernity.
The Middle Eastern elite used secular modernization as a tool to establish a modern state and undermine traditional religious authority during the postcolonial movement.
In the modernist narrative, the veil is often labeled as 'pre-modern' or traditional, leading to its suppression in favor of a 'rational' secular image.
The paper draws on postmodernist, neo-secularist, and postcolonial theories to critique the divide between secular-modern and religious-traditional.
It serves as an example of the practical suppression of religious expression, where a teacher was suspended for wearing a headscarf in the name of secularism.
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